“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
Clara Reeve’s (1729–1807) Gothic novel <i>The Old English Baron</i> is a node for contemplating two discursive exclusions. The novel, due to its own ambiguous status as a gendered “body”, has proven a difficult text for discourse on the Female Gothic to recognise. Subjected to a temperam...
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doaj-947c4a64fd7a4214ab8b1416953f6e852021-09-26T00:16:42ZengMDPI AGHumanities2076-07872021-08-0110989810.3390/h10030098“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara ReeveDesmond Huthwaite0Faculty of English, University of Cambridge, Cambridge CB2 1TN, UKClara Reeve’s (1729–1807) Gothic novel <i>The Old English Baron</i> is a node for contemplating two discursive exclusions. The novel, due to its own ambiguous status as a gendered “body”, has proven a difficult text for discourse on the Female Gothic to recognise. Subjected to a temperamental dialectic of reclamation and disavowal, <i>The Old English Baron</i> can be made to speak to the (often) subordinate position of Transgender Studies within the field of Queer Studies, another relationship predicated on the partial exclusion of undesirable elements. I treat the unlikely transness of Reeve’s body <i>of</i> <i>text</i> as an invitation to attempt a trans reading of the bodies <i>within</i> <i>the text</i>. Parallel to this, I develop an attachment genealogy of Queer and Transgender Studies that reconsiders essentialism―the kind both practiced by Female Gothic studies and also central to the logic of Reeve’s plot―as a fantasy that helps us distinguish where a trans reading can depart from a queer one, suggesting that the latter is methodologically limited by its own bad feelings towards the former.https://www.mdpi.com/2076-0787/10/3/98Clara ReeveFemale Gothictransqueergenderembodiment |
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DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Desmond Huthwaite |
spellingShingle |
Desmond Huthwaite “More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve Humanities Clara Reeve Female Gothic trans queer gender embodiment |
author_facet |
Desmond Huthwaite |
author_sort |
Desmond Huthwaite |
title |
“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve |
title_short |
“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve |
title_full |
“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve |
title_fullStr |
“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve |
title_full_unstemmed |
“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve |
title_sort |
“more and more fond of reading”: everything you wanted to know about transgender studies but were afraid to ask clara reeve |
publisher |
MDPI AG |
series |
Humanities |
issn |
2076-0787 |
publishDate |
2021-08-01 |
description |
Clara Reeve’s (1729–1807) Gothic novel <i>The Old English Baron</i> is a node for contemplating two discursive exclusions. The novel, due to its own ambiguous status as a gendered “body”, has proven a difficult text for discourse on the Female Gothic to recognise. Subjected to a temperamental dialectic of reclamation and disavowal, <i>The Old English Baron</i> can be made to speak to the (often) subordinate position of Transgender Studies within the field of Queer Studies, another relationship predicated on the partial exclusion of undesirable elements. I treat the unlikely transness of Reeve’s body <i>of</i> <i>text</i> as an invitation to attempt a trans reading of the bodies <i>within</i> <i>the text</i>. Parallel to this, I develop an attachment genealogy of Queer and Transgender Studies that reconsiders essentialism―the kind both practiced by Female Gothic studies and also central to the logic of Reeve’s plot―as a fantasy that helps us distinguish where a trans reading can depart from a queer one, suggesting that the latter is methodologically limited by its own bad feelings towards the former. |
topic |
Clara Reeve Female Gothic trans queer gender embodiment |
url |
https://www.mdpi.com/2076-0787/10/3/98 |
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