“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve

Clara Reeve’s (1729–1807) Gothic novel <i>The Old English Baron</i> is a node for contemplating two discursive exclusions. The novel, due to its own ambiguous status as a gendered “body”, has proven a difficult text for discourse on the Female Gothic to recognise. Subjected to a temperam...

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Main Author: Desmond Huthwaite
Format: Article
Language:English
Published: MDPI AG 2021-08-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/10/3/98
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spelling doaj-947c4a64fd7a4214ab8b1416953f6e852021-09-26T00:16:42ZengMDPI AGHumanities2076-07872021-08-0110989810.3390/h10030098“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara ReeveDesmond Huthwaite0Faculty of English, University of Cambridge, Cambridge CB2 1TN, UKClara Reeve’s (1729–1807) Gothic novel <i>The Old English Baron</i> is a node for contemplating two discursive exclusions. The novel, due to its own ambiguous status as a gendered “body”, has proven a difficult text for discourse on the Female Gothic to recognise. Subjected to a temperamental dialectic of reclamation and disavowal, <i>The Old English Baron</i> can be made to speak to the (often) subordinate position of Transgender Studies within the field of Queer Studies, another relationship predicated on the partial exclusion of undesirable elements. I treat the unlikely transness of Reeve’s body <i>of</i> <i>text</i> as an invitation to attempt a trans reading of the bodies <i>within</i> <i>the text</i>. Parallel to this, I develop an attachment genealogy of Queer and Transgender Studies that reconsiders essentialism―the kind both practiced by Female Gothic studies and also central to the logic of Reeve’s plot―as a fantasy that helps us distinguish where a trans reading can depart from a queer one, suggesting that the latter is methodologically limited by its own bad feelings towards the former.https://www.mdpi.com/2076-0787/10/3/98Clara ReeveFemale Gothictransqueergenderembodiment
collection DOAJ
language English
format Article
sources DOAJ
author Desmond Huthwaite
spellingShingle Desmond Huthwaite
“More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
Humanities
Clara Reeve
Female Gothic
trans
queer
gender
embodiment
author_facet Desmond Huthwaite
author_sort Desmond Huthwaite
title “More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
title_short “More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
title_full “More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
title_fullStr “More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
title_full_unstemmed “More and More Fond of Reading”: Everything You Wanted to Know about Transgender Studies but Were Afraid to Ask Clara Reeve
title_sort “more and more fond of reading”: everything you wanted to know about transgender studies but were afraid to ask clara reeve
publisher MDPI AG
series Humanities
issn 2076-0787
publishDate 2021-08-01
description Clara Reeve’s (1729–1807) Gothic novel <i>The Old English Baron</i> is a node for contemplating two discursive exclusions. The novel, due to its own ambiguous status as a gendered “body”, has proven a difficult text for discourse on the Female Gothic to recognise. Subjected to a temperamental dialectic of reclamation and disavowal, <i>The Old English Baron</i> can be made to speak to the (often) subordinate position of Transgender Studies within the field of Queer Studies, another relationship predicated on the partial exclusion of undesirable elements. I treat the unlikely transness of Reeve’s body <i>of</i> <i>text</i> as an invitation to attempt a trans reading of the bodies <i>within</i> <i>the text</i>. Parallel to this, I develop an attachment genealogy of Queer and Transgender Studies that reconsiders essentialism―the kind both practiced by Female Gothic studies and also central to the logic of Reeve’s plot―as a fantasy that helps us distinguish where a trans reading can depart from a queer one, suggesting that the latter is methodologically limited by its own bad feelings towards the former.
topic Clara Reeve
Female Gothic
trans
queer
gender
embodiment
url https://www.mdpi.com/2076-0787/10/3/98
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