Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance

This essay discusses the choreographic ethos that integrates technology and dance as an evolving mode of storytelling in South Indian (Tamil-Kollywood) movies by tracing the work of director Shankar Shanmugam. Through analyses of song-dance sequences, I identify three key principles for using screen...

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Main Author: Sandhiya Kalyanasundaram
Format: Article
Language:English
Published: The Ohio State University Libraries 2020-10-01
Series:The International Journal of Screendance
Subjects:
Online Access:https://screendancejournal.org/article/view/6840
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spelling doaj-96703bcaec7f484781bb7cc13c4c09972020-11-25T04:05:32ZengThe Ohio State University LibrariesThe International Journal of Screendance2154-68782020-10-0111010.18061/ijsd.v11i0.68404714Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen DanceSandhiya KalyanasundaramThis essay discusses the choreographic ethos that integrates technology and dance as an evolving mode of storytelling in South Indian (Tamil-Kollywood) movies by tracing the work of director Shankar Shanmugam. Through analyses of song-dance sequences, I identify three key principles for using screendance techniques, and reflect on how these innovations contribute to cultivating and shaping the audience imagination. The audience is challenged to further engage at multiple levels and grapple with the relationships between human and more than human worlds. In the Kollywood scene, there is a constant quest for new techniques that can embrace inner realities.https://screendancejournal.org/article/view/6840hyperreal time-spacekollywood screendanceembodied technologyindian narratologyperception
collection DOAJ
language English
format Article
sources DOAJ
author Sandhiya Kalyanasundaram
spellingShingle Sandhiya Kalyanasundaram
Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance
The International Journal of Screendance
hyperreal time-space
kollywood screendance
embodied technology
indian narratology
perception
author_facet Sandhiya Kalyanasundaram
author_sort Sandhiya Kalyanasundaram
title Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance
title_short Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance
title_full Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance
title_fullStr Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance
title_full_unstemmed Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance
title_sort navigating hyperrealities: tamil film (kollywood) choreography as screen dance
publisher The Ohio State University Libraries
series The International Journal of Screendance
issn 2154-6878
publishDate 2020-10-01
description This essay discusses the choreographic ethos that integrates technology and dance as an evolving mode of storytelling in South Indian (Tamil-Kollywood) movies by tracing the work of director Shankar Shanmugam. Through analyses of song-dance sequences, I identify three key principles for using screendance techniques, and reflect on how these innovations contribute to cultivating and shaping the audience imagination. The audience is challenged to further engage at multiple levels and grapple with the relationships between human and more than human worlds. In the Kollywood scene, there is a constant quest for new techniques that can embrace inner realities.
topic hyperreal time-space
kollywood screendance
embodied technology
indian narratology
perception
url https://screendancejournal.org/article/view/6840
work_keys_str_mv AT sandhiyakalyanasundaram navigatinghyperrealitiestamilfilmkollywoodchoreographyasscreendance
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