A Man Fighting a Lion: A Christian 'Theme' in Yiddish Epics

During the medieval and early modern periods, lions served as a common motif in Ashkenazic Jewish culture, bearing diverse symbolism. Also in literature written in Yiddish, the vernacular language of Ashkenazic Jews, lions were often mentioned. In this article, three songs about a man fighting a lio...

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Main Author: Oren Roman
Format: Article
Language:deu
Published: University of Milan 2018-12-01
Series:Interfaces: A Journal of Medieval European Literatures
Subjects:
Online Access:https://riviste.unimi.it/interfaces/article/view/9981
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spelling doaj-96e3eca5788146eb918f1bf629f006df2020-11-25T02:52:08ZdeuUniversity of MilanInterfaces: A Journal of Medieval European Literatures2421-55032018-12-01059011010.13130/interfaces-05-089517A Man Fighting a Lion: A Christian 'Theme' in Yiddish EpicsOren Roman0Ben-Gurion University of the NegevDuring the medieval and early modern periods, lions served as a common motif in Ashkenazic Jewish culture, bearing diverse symbolism. Also in literature written in Yiddish, the vernacular language of Ashkenazic Jews, lions were often mentioned. In this article, three songs about a man fighting a lion – Samson, David, and Benaiah – found within early modern Yiddish epics, are presented. An analysis of these songs' similar content and form suggests that they are short epic songs which have been initially orally transmitted, and later incorporated into the written long epics in Yiddish which have come down to us. In two of the songs the hero holds the lion's mouth with both hands, shortly before subduing him, an image common in Jewish art but lacking any basis in Jewish texts. This study identifies a Christian background to this image, namely that Samson's battle with the lion foreshadows the Harrowing of Hell and Jesus' releasing mankind’s souls from eternal damnation. The study points to the close cultural ties between Jews and Christians in the medieval and early modern eras, which were possible in the sphere of vernacular Yiddish literature. This closeness brought about influences which do not seem to exist in Hebrew literature.https://riviste.unimi.it/interfaces/article/view/9981TypologyJewish-Christian RelationsEpic poetryBiblia pauperumYiddish
collection DOAJ
language deu
format Article
sources DOAJ
author Oren Roman
spellingShingle Oren Roman
A Man Fighting a Lion: A Christian 'Theme' in Yiddish Epics
Interfaces: A Journal of Medieval European Literatures
Typology
Jewish-Christian Relations
Epic poetry
Biblia pauperum
Yiddish
author_facet Oren Roman
author_sort Oren Roman
title A Man Fighting a Lion: A Christian 'Theme' in Yiddish Epics
title_short A Man Fighting a Lion: A Christian 'Theme' in Yiddish Epics
title_full A Man Fighting a Lion: A Christian 'Theme' in Yiddish Epics
title_fullStr A Man Fighting a Lion: A Christian 'Theme' in Yiddish Epics
title_full_unstemmed A Man Fighting a Lion: A Christian 'Theme' in Yiddish Epics
title_sort man fighting a lion: a christian 'theme' in yiddish epics
publisher University of Milan
series Interfaces: A Journal of Medieval European Literatures
issn 2421-5503
publishDate 2018-12-01
description During the medieval and early modern periods, lions served as a common motif in Ashkenazic Jewish culture, bearing diverse symbolism. Also in literature written in Yiddish, the vernacular language of Ashkenazic Jews, lions were often mentioned. In this article, three songs about a man fighting a lion – Samson, David, and Benaiah – found within early modern Yiddish epics, are presented. An analysis of these songs' similar content and form suggests that they are short epic songs which have been initially orally transmitted, and later incorporated into the written long epics in Yiddish which have come down to us. In two of the songs the hero holds the lion's mouth with both hands, shortly before subduing him, an image common in Jewish art but lacking any basis in Jewish texts. This study identifies a Christian background to this image, namely that Samson's battle with the lion foreshadows the Harrowing of Hell and Jesus' releasing mankind’s souls from eternal damnation. The study points to the close cultural ties between Jews and Christians in the medieval and early modern eras, which were possible in the sphere of vernacular Yiddish literature. This closeness brought about influences which do not seem to exist in Hebrew literature.
topic Typology
Jewish-Christian Relations
Epic poetry
Biblia pauperum
Yiddish
url https://riviste.unimi.it/interfaces/article/view/9981
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