The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)

Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings) were concert series of the Hrvatski glazbeni zavod (Croatian Music Institute) in Zagreb, organized by the institute's secretary, art historian, and music amateur Artur Schneider in the 1920s. From 1921 t...

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Main Author: Nada Bezić
Format: Article
Language:English
Published: Österreichische Gesellschaft für Musikwissenschaft 2021-04-01
Series:Musicologica Austriaca
Subjects:
Online Access:http://www.musau.org/parts/neue-article-page/view/104
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spelling doaj-96f0359a09214be3a888aeefa9fef5f02021-04-06T12:43:37ZengÖsterreichische Gesellschaft für MusikwissenschaftMusicologica Austriaca1016-10662411-66962021-04-01Exploring Music Life in the Late Habsburg Monarchy and Successor StatesThe Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)Nada BezićJutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings) were concert series of the Hrvatski glazbeni zavod (Croatian Music Institute) in Zagreb, organized by the institute's secretary, art historian, and music amateur Artur Schneider in the 1920s. From 1921 to 1928 there were 148 concerts, with works by 143 contemporary composers, from the most famous ones, like Béla Bartók and Arnold Schoenberg, to the youngest generation of Croatian composers, like Boris Papandopulo. The most common performers were Croatian soprano Maja Strozzi-Pečić and pianist Bela Pečić, who especially promoted music through their friend Igor Stravinsky. These concert series were outstanding also with regard to the high quality of performers and programs as well as the carefully prepared program booklets.http://www.musau.org/parts/neue-article-page/view/10420th centuryconcertscontemporary musiccroatian music instituteartur schneidermaja strozzi-pečićzagreb
collection DOAJ
language English
format Article
sources DOAJ
author Nada Bezić
spellingShingle Nada Bezić
The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)
Musicologica Austriaca
20th century
concerts
contemporary music
croatian music institute
artur schneider
maja strozzi-pečić
zagreb
author_facet Nada Bezić
author_sort Nada Bezić
title The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)
title_short The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)
title_full The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)
title_fullStr The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)
title_full_unstemmed The Hrvatski glazbeni zavod (Croatian Music Institute) in the 1920s: Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings)
title_sort hrvatski glazbeni zavod (croatian music institute) in the 1920s: jutarnji koncerti (morning concerts) and intimne muzičke večeri (intimate musical evenings)
publisher Österreichische Gesellschaft für Musikwissenschaft
series Musicologica Austriaca
issn 1016-1066
2411-6696
publishDate 2021-04-01
description Jutarnji koncerti (Morning Concerts) and Intimne muzičke večeri (Intimate Musical Evenings) were concert series of the Hrvatski glazbeni zavod (Croatian Music Institute) in Zagreb, organized by the institute's secretary, art historian, and music amateur Artur Schneider in the 1920s. From 1921 to 1928 there were 148 concerts, with works by 143 contemporary composers, from the most famous ones, like Béla Bartók and Arnold Schoenberg, to the youngest generation of Croatian composers, like Boris Papandopulo. The most common performers were Croatian soprano Maja Strozzi-Pečić and pianist Bela Pečić, who especially promoted music through their friend Igor Stravinsky. These concert series were outstanding also with regard to the high quality of performers and programs as well as the carefully prepared program booklets.
topic 20th century
concerts
contemporary music
croatian music institute
artur schneider
maja strozzi-pečić
zagreb
url http://www.musau.org/parts/neue-article-page/view/104
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