« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »
The article analyzes the writing of lesbian desire in two short stories by Chimamanda Ngozi Adichie and Chinelo Okparanta, and the connection between transgression and subversive writing. The articulation of female same‑sex desire hinges on three ideas : the desired body and its construction, the ro...
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Université Toulouse - Jean Jaurès
2020-04-01
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Series: | Miranda: Revue Pluridisciplinaire du Monde Anglophone |
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Online Access: | http://journals.openedition.org/miranda/26847 |
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doaj-9848bfc027f14efdbce3fbef2836e0e82020-11-25T03:17:32ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592020-04-012010.4000/miranda.26847« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »Sophie OkunhonThe article analyzes the writing of lesbian desire in two short stories by Chimamanda Ngozi Adichie and Chinelo Okparanta, and the connection between transgression and subversive writing. The articulation of female same‑sex desire hinges on three ideas : the desired body and its construction, the role of religion and its repercussion on desire, and the intimate through the workings of imagination. By their prudence, revealed by a paradoxical triumph of the female characters’ (in)validated same‑sex desire, the writers are in keeping with the concept of emergence, or what we call a coming‑out narrative since they unprecedentedly resist dominant discourses. Rejecting all moralizing aspects, they name this female same‑sex desire otherwise perceived as absurd and question gender and sexual premises to articulate, in a new feminist literature, the right of women to own their bodies and to fulfill their desires. Consequently, writing forbidden desire mirrors the writers’ wish to place women at the forefront of the literary scene.http://journals.openedition.org/miranda/26847desiresubversive writingtransgressioncoming-out narrative |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Sophie Okunhon |
spellingShingle |
Sophie Okunhon « Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace » Miranda: Revue Pluridisciplinaire du Monde Anglophone desire subversive writing transgression coming-out narrative |
author_facet |
Sophie Okunhon |
author_sort |
Sophie Okunhon |
title |
« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace » |
title_short |
« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace » |
title_full |
« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace » |
title_fullStr |
« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace » |
title_full_unstemmed |
« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace » |
title_sort |
« voicing my desire to her ». poétique du désir et coming-out littéraire dans les nouvelles « on monday of last week » et « grace » |
publisher |
Université Toulouse - Jean Jaurès |
series |
Miranda: Revue Pluridisciplinaire du Monde Anglophone |
issn |
2108-6559 |
publishDate |
2020-04-01 |
description |
The article analyzes the writing of lesbian desire in two short stories by Chimamanda Ngozi Adichie and Chinelo Okparanta, and the connection between transgression and subversive writing. The articulation of female same‑sex desire hinges on three ideas : the desired body and its construction, the role of religion and its repercussion on desire, and the intimate through the workings of imagination. By their prudence, revealed by a paradoxical triumph of the female characters’ (in)validated same‑sex desire, the writers are in keeping with the concept of emergence, or what we call a coming‑out narrative since they unprecedentedly resist dominant discourses. Rejecting all moralizing aspects, they name this female same‑sex desire otherwise perceived as absurd and question gender and sexual premises to articulate, in a new feminist literature, the right of women to own their bodies and to fulfill their desires. Consequently, writing forbidden desire mirrors the writers’ wish to place women at the forefront of the literary scene. |
topic |
desire subversive writing transgression coming-out narrative |
url |
http://journals.openedition.org/miranda/26847 |
work_keys_str_mv |
AT sophieokunhon voicingmydesiretoherpoetiquedudesiretcomingoutlitterairedanslesnouvellesonmondayoflastweeketgrace |
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