« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »

The article analyzes the writing of lesbian desire in two short stories by Chimamanda Ngozi Adichie and Chinelo Okparanta, and the connection between transgression and subversive writing. The articulation of female same‑sex desire hinges on three ideas : the desired body and its construction, the ro...

Full description

Bibliographic Details
Main Author: Sophie Okunhon
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2020-04-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/26847
id doaj-9848bfc027f14efdbce3fbef2836e0e8
record_format Article
spelling doaj-9848bfc027f14efdbce3fbef2836e0e82020-11-25T03:17:32ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592020-04-012010.4000/miranda.26847« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »Sophie OkunhonThe article analyzes the writing of lesbian desire in two short stories by Chimamanda Ngozi Adichie and Chinelo Okparanta, and the connection between transgression and subversive writing. The articulation of female same‑sex desire hinges on three ideas : the desired body and its construction, the role of religion and its repercussion on desire, and the intimate through the workings of imagination. By their prudence, revealed by a paradoxical triumph of the female characters’ (in)validated same‑sex desire, the writers are in keeping with the concept of emergence, or what we call a coming‑out narrative since they unprecedentedly resist dominant discourses. Rejecting all moralizing aspects, they name this female same‑sex desire otherwise perceived as absurd and question gender and sexual premises to articulate, in a new feminist literature, the right of women to own their bodies and to fulfill their desires. Consequently, writing forbidden desire mirrors the writers’ wish to place women at the forefront of the literary scene.http://journals.openedition.org/miranda/26847desiresubversive writingtransgressioncoming-out narrative
collection DOAJ
language English
format Article
sources DOAJ
author Sophie Okunhon
spellingShingle Sophie Okunhon
« Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »
Miranda: Revue Pluridisciplinaire du Monde Anglophone
desire
subversive writing
transgression
coming-out narrative
author_facet Sophie Okunhon
author_sort Sophie Okunhon
title « Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »
title_short « Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »
title_full « Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »
title_fullStr « Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »
title_full_unstemmed « Voicing my desire to her ». Poétique du désir et coming-out littéraire dans les nouvelles « On Monday of Last Week » et « Grace »
title_sort « voicing my desire to her ». poétique du désir et coming-out littéraire dans les nouvelles « on monday of last week » et « grace »
publisher Université Toulouse - Jean Jaurès
series Miranda: Revue Pluridisciplinaire du Monde Anglophone
issn 2108-6559
publishDate 2020-04-01
description The article analyzes the writing of lesbian desire in two short stories by Chimamanda Ngozi Adichie and Chinelo Okparanta, and the connection between transgression and subversive writing. The articulation of female same‑sex desire hinges on three ideas : the desired body and its construction, the role of religion and its repercussion on desire, and the intimate through the workings of imagination. By their prudence, revealed by a paradoxical triumph of the female characters’ (in)validated same‑sex desire, the writers are in keeping with the concept of emergence, or what we call a coming‑out narrative since they unprecedentedly resist dominant discourses. Rejecting all moralizing aspects, they name this female same‑sex desire otherwise perceived as absurd and question gender and sexual premises to articulate, in a new feminist literature, the right of women to own their bodies and to fulfill their desires. Consequently, writing forbidden desire mirrors the writers’ wish to place women at the forefront of the literary scene.
topic desire
subversive writing
transgression
coming-out narrative
url http://journals.openedition.org/miranda/26847
work_keys_str_mv AT sophieokunhon voicingmydesiretoherpoetiquedudesiretcomingoutlitterairedanslesnouvellesonmondayoflastweeketgrace
_version_ 1724631621287542784