Tereza D’Amico : un maniérisme populaire
This article presents a panoramic discussion of Tereza D’Amico’s life and work. Possessing a solid technical background, D’Amico embraced, from 1957 onwards, the artistic language of Folk and self-taught artists. This vocabulary gave her work a style derived from the formal idiosyncrasies of so-call...
Main Author: | Giancarlo Hannud |
---|---|
Format: | Article |
Language: | fra |
Published: |
Maison des Science de l'Homme
2021-05-01
|
Series: | Brésil(s) |
Subjects: | |
Online Access: | http://journals.openedition.org/bresils/9444 |
Similar Items
-
Art Education as Social Experience: Victor D’Amico and the Origins of MoMA’s Progressive Educational Project
by: Elena Sidorova
Published: (2020-10-01) -
Silvio d’Amico e la nascita del Burcardo
by: Alessandro Tinterri
Published: (2016-06-01) -
Pedagogical-Didactic Implications in the Writings of Fedele d'Amico
by: Giuseppina La Face
Published: (2017-12-01) -
Silvio d’Amico e la nascita del Burcardo
by: Alessandro Tinterri
Published: (2016-06-01) -
Novecento e postmodernità nella critica musicale di Fedele d’Amico. Riflessioni sul metodo storiografico di un corso universitario
by: Raffaele Pozzi
Published: (2019-12-01)