Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
<p>Serbian brass bands as the result of cultural assimilations from diverse cultures involved in the Balkan wars are a widespread tradition which can represent many different social agents. Through an analysis of repertoire of bands from different regions it is shown in which ways Serbian hist...
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Universidad Rey Juan Carlos
2018-11-01
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doaj-9a6cb6599fa349e7a608fe46c599822d2020-11-25T02:06:22ZengUniversidad Rey Juan Carlosmethaodos.revista de ciencias sociales2340-84132340-84132018-11-016210.17502/m.rcs.v6i2.237181Levels of self-representation in Serbian brass bands through the analysis of repertoire and styleMarina Gonzalez Varga<p>Serbian brass bands as the result of cultural assimilations from diverse cultures involved in the Balkan wars are a widespread tradition which can represent many different social agents. Through an analysis of repertoire of bands from different regions it is shown in which ways Serbian history is reflected on the tradition. Moreover, studying different categories of the repertoire of each brass band, it is possible to illustrate how each group choses how to represent themselves depending on the space of performance. Furthermore, I will examine the stylistic differences according to geographical areas and the local history of the region. These aspects determine in which way the bands define themselves.</p>https://www.methaodos.org/revista-methaodos/index.php/methaodos/article/view/237comunidad musicalidentidad culturalmúsica balcánicamúsica romaníbrass bands |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Marina Gonzalez Varga |
spellingShingle |
Marina Gonzalez Varga Levels of self-representation in Serbian brass bands through the analysis of repertoire and style methaodos.revista de ciencias sociales comunidad musical identidad cultural música balcánica música romaní brass bands |
author_facet |
Marina Gonzalez Varga |
author_sort |
Marina Gonzalez Varga |
title |
Levels of self-representation in Serbian brass bands through the analysis of repertoire and style |
title_short |
Levels of self-representation in Serbian brass bands through the analysis of repertoire and style |
title_full |
Levels of self-representation in Serbian brass bands through the analysis of repertoire and style |
title_fullStr |
Levels of self-representation in Serbian brass bands through the analysis of repertoire and style |
title_full_unstemmed |
Levels of self-representation in Serbian brass bands through the analysis of repertoire and style |
title_sort |
levels of self-representation in serbian brass bands through the analysis of repertoire and style |
publisher |
Universidad Rey Juan Carlos |
series |
methaodos.revista de ciencias sociales |
issn |
2340-8413 2340-8413 |
publishDate |
2018-11-01 |
description |
<p>Serbian brass bands as the result of cultural assimilations from diverse cultures involved in the Balkan wars are a widespread tradition which can represent many different social agents. Through an analysis of repertoire of bands from different regions it is shown in which ways Serbian history is reflected on the tradition. Moreover, studying different categories of the repertoire of each brass band, it is possible to illustrate how each group choses how to represent themselves depending on the space of performance. Furthermore, I will examine the stylistic differences according to geographical areas and the local history of the region. These aspects determine in which way the bands define themselves.</p> |
topic |
comunidad musical identidad cultural música balcánica música romaní brass bands |
url |
https://www.methaodos.org/revista-methaodos/index.php/methaodos/article/view/237 |
work_keys_str_mv |
AT marinagonzalezvarga levelsofselfrepresentationinserbianbrassbandsthroughtheanalysisofrepertoireandstyle |
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1724934322964660224 |