Levels of self-representation in Serbian brass bands through the analysis of repertoire and style

<p>Serbian brass bands as the result of cultural assimilations from diverse cultures involved in the Balkan wars are a widespread tradition which can represent many different social agents. Through an analysis of repertoire of bands from different regions it is shown in which ways Serbian hist...

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Main Author: Marina Gonzalez Varga
Format: Article
Language:English
Published: Universidad Rey Juan Carlos 2018-11-01
Series:methaodos.revista de ciencias sociales
Subjects:
Online Access:https://www.methaodos.org/revista-methaodos/index.php/methaodos/article/view/237
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spelling doaj-9a6cb6599fa349e7a608fe46c599822d2020-11-25T02:06:22ZengUniversidad Rey Juan Carlosmethaodos.revista de ciencias sociales2340-84132340-84132018-11-016210.17502/m.rcs.v6i2.237181Levels of self-representation in Serbian brass bands through the analysis of repertoire and styleMarina Gonzalez Varga<p>Serbian brass bands as the result of cultural assimilations from diverse cultures involved in the Balkan wars are a widespread tradition which can represent many different social agents. Through an analysis of repertoire of bands from different regions it is shown in which ways Serbian history is reflected on the tradition. Moreover, studying different categories of the repertoire of each brass band, it is possible to illustrate how each group choses how to represent themselves depending on the space of performance. Furthermore, I will examine the stylistic differences according to geographical areas and the local history of the region. These aspects determine in which way the bands define themselves.</p>https://www.methaodos.org/revista-methaodos/index.php/methaodos/article/view/237comunidad musicalidentidad culturalmúsica balcánicamúsica romaníbrass bands
collection DOAJ
language English
format Article
sources DOAJ
author Marina Gonzalez Varga
spellingShingle Marina Gonzalez Varga
Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
methaodos.revista de ciencias sociales
comunidad musical
identidad cultural
música balcánica
música romaní
brass bands
author_facet Marina Gonzalez Varga
author_sort Marina Gonzalez Varga
title Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
title_short Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
title_full Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
title_fullStr Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
title_full_unstemmed Levels of self-representation in Serbian brass bands through the analysis of repertoire and style
title_sort levels of self-representation in serbian brass bands through the analysis of repertoire and style
publisher Universidad Rey Juan Carlos
series methaodos.revista de ciencias sociales
issn 2340-8413
2340-8413
publishDate 2018-11-01
description <p>Serbian brass bands as the result of cultural assimilations from diverse cultures involved in the Balkan wars are a widespread tradition which can represent many different social agents. Through an analysis of repertoire of bands from different regions it is shown in which ways Serbian history is reflected on the tradition. Moreover, studying different categories of the repertoire of each brass band, it is possible to illustrate how each group choses how to represent themselves depending on the space of performance. Furthermore, I will examine the stylistic differences according to geographical areas and the local history of the region. These aspects determine in which way the bands define themselves.</p>
topic comunidad musical
identidad cultural
música balcánica
música romaní
brass bands
url https://www.methaodos.org/revista-methaodos/index.php/methaodos/article/view/237
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