Monumental Entrance to Gandharan Buddhist Architecture

The article presents a series of pieces excavated by the ISMEO Italian Archaeological Mission in two Buddhist sacred areas in Swat (Pakistan). The pieces are chosen for their connection to the theme of monumental entrances of cultic buildings. In the first case (Gumbat), the building is a shrine....

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Main Authors: Olivieri, Luca Maria, Iori, Elisa
Format: Article
Language:English
Published: Edizioni Ca’ Foscari 2021-06-01
Series:Annali di Ca’ Foscari: Serie Orientale
Subjects:
Online Access:https://edizionicafoscari.unive.it4/riviste/annali-di-ca-foscari-serie-orientale/2021/1/monumental-entrance-to-gandharan-buddhist-architec/
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spelling doaj-9a859709551b44e4ace74249b17da7192021-07-07T13:46:00ZengEdizioni Ca’ FoscariAnnali di Ca’ Foscari: Serie Orientale2385-30422021-06-0157110.30687/AnnOr/2385-3042/2021/01/009journal_article_5502Monumental Entrance to Gandharan Buddhist ArchitectureOlivieri, Luca Maria0Iori, Elisa1Università Ca’ Foscari Venezia, ItaliaMax-Weber-Kolleg, Universität Erfurt/ISMEO The article presents a series of pieces excavated by the ISMEO Italian Archaeological Mission in two Buddhist sacred areas in Swat (Pakistan). The pieces are chosen for their connection to the theme of monumental entrances of cultic buildings. In the first case (Gumbat), the building is a shrine. In the second, (Amluk-dara) it is a Main Stupa. The pieces belong to three different entrance parts: lower sides of the stairs, decorated steps or stair-riser friezes, and decorated frames of doors. Pieces like these, which belong to specific architecture, can be hypothetically positioned in their places, allowing thus a more vivid reconstruction of the original appearance of the monuments. The decorative apparatus of the entrances to Buddhist monuments, although apparently extraneous to the religious language, is not less rich than the Buddhist iconographic programme illustrated on the stupas or inside the shrines. The second part of the article deals with the interpretation of the language of the entrance as ‘symbolic capital’ of the political élites, who were the donors of the great Buddhist architecture in Swat. https://edizionicafoscari.unive.it4/riviste/annali-di-ca-foscari-serie-orientale/2021/1/monumental-entrance-to-gandharan-buddhist-architec/Gandhara. Swat. Stupa. Stair-risers. Buddhist architecture. Oḍi-rajas. Symbolic capital.
collection DOAJ
language English
format Article
sources DOAJ
author Olivieri, Luca Maria
Iori, Elisa
spellingShingle Olivieri, Luca Maria
Iori, Elisa
Monumental Entrance to Gandharan Buddhist Architecture
Annali di Ca’ Foscari: Serie Orientale
Gandhara. Swat. Stupa. Stair-risers. Buddhist architecture. Oḍi-rajas. Symbolic capital.
author_facet Olivieri, Luca Maria
Iori, Elisa
author_sort Olivieri, Luca Maria
title Monumental Entrance to Gandharan Buddhist Architecture
title_short Monumental Entrance to Gandharan Buddhist Architecture
title_full Monumental Entrance to Gandharan Buddhist Architecture
title_fullStr Monumental Entrance to Gandharan Buddhist Architecture
title_full_unstemmed Monumental Entrance to Gandharan Buddhist Architecture
title_sort monumental entrance to gandharan buddhist architecture
publisher Edizioni Ca’ Foscari
series Annali di Ca’ Foscari: Serie Orientale
issn 2385-3042
publishDate 2021-06-01
description The article presents a series of pieces excavated by the ISMEO Italian Archaeological Mission in two Buddhist sacred areas in Swat (Pakistan). The pieces are chosen for their connection to the theme of monumental entrances of cultic buildings. In the first case (Gumbat), the building is a shrine. In the second, (Amluk-dara) it is a Main Stupa. The pieces belong to three different entrance parts: lower sides of the stairs, decorated steps or stair-riser friezes, and decorated frames of doors. Pieces like these, which belong to specific architecture, can be hypothetically positioned in their places, allowing thus a more vivid reconstruction of the original appearance of the monuments. The decorative apparatus of the entrances to Buddhist monuments, although apparently extraneous to the religious language, is not less rich than the Buddhist iconographic programme illustrated on the stupas or inside the shrines. The second part of the article deals with the interpretation of the language of the entrance as ‘symbolic capital’ of the political élites, who were the donors of the great Buddhist architecture in Swat.
topic Gandhara. Swat. Stupa. Stair-risers. Buddhist architecture. Oḍi-rajas. Symbolic capital.
url https://edizionicafoscari.unive.it4/riviste/annali-di-ca-foscari-serie-orientale/2021/1/monumental-entrance-to-gandharan-buddhist-architec/
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