The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London

Beginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative w...

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Main Author: Agnieszka Pantuchowicz
Format: Article
Language:English
Published: Centre for Philosophical Research 2017-10-01
Series:Avant: Journal of Philosophical-Interdisciplinary Vanguard
Subjects:
Online Access:http://avant.edu.pl/wp-content/uploads/Pantuchowicz-The-Haunting-Presence.pdf
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spelling doaj-9b0eca63f16145c3bc34432da0dce63d2020-11-25T00:20:22ZengCentre for Philosophical ResearchAvant: Journal of Philosophical-Interdisciplinary Vanguard2082-67102017-10-018219119910.26913/80202017.0112.0015The Haunting Presence of the Feminine: Virginia Woolf in the Streets of LondonAgnieszka PantuchowiczBeginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative written from the position of the haunting in which the figure of fearful feminine is transformed into a “hauntess” participating in the public world on equal rights with others. Woolf’s text, though seemingly positing the protagonist in the position of flâneuse, in fact implicitly criticizes flâneuring as a masculine kind of looking and participating in the public space. Taking place away from home, Woolf’s strolling in the streets of London carnivalizes (in the Bakhtinian sense) the activity by way of a joyful blurring of the split between the home and the market. Transgressing what Kathryn Simpson calls “the male privilege of the flâneur” (2010, p. 47) and rendering the transgression as haunting, Woolf evades participation in the masculine world of traffic and exchange by way of bringing the space of the Gothic confinement, and also of entombment, to the public.http://avant.edu.pl/wp-content/uploads/Pantuchowicz-The-Haunting-Presence.pdfhauntingGothicismVirginia WoolfgenderflâneurmarketLondon
collection DOAJ
language English
format Article
sources DOAJ
author Agnieszka Pantuchowicz
spellingShingle Agnieszka Pantuchowicz
The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
Avant: Journal of Philosophical-Interdisciplinary Vanguard
haunting
Gothicism
Virginia Woolf
gender
flâneur
market
London
author_facet Agnieszka Pantuchowicz
author_sort Agnieszka Pantuchowicz
title The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
title_short The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
title_full The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
title_fullStr The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
title_full_unstemmed The Haunting Presence of the Feminine: Virginia Woolf in the Streets of London
title_sort haunting presence of the feminine: virginia woolf in the streets of london
publisher Centre for Philosophical Research
series Avant: Journal of Philosophical-Interdisciplinary Vanguard
issn 2082-6710
publishDate 2017-10-01
description Beginning with the theme of the location of haunting in Gothic interiors and the confusion of life and death and the “sub-central” positioning of the feminine as the hidden source of fearfulness, the paper analyzes Virginia Woolf’s “Street Haunting: A London Adventure” as an example of a narrative written from the position of the haunting in which the figure of fearful feminine is transformed into a “hauntess” participating in the public world on equal rights with others. Woolf’s text, though seemingly positing the protagonist in the position of flâneuse, in fact implicitly criticizes flâneuring as a masculine kind of looking and participating in the public space. Taking place away from home, Woolf’s strolling in the streets of London carnivalizes (in the Bakhtinian sense) the activity by way of a joyful blurring of the split between the home and the market. Transgressing what Kathryn Simpson calls “the male privilege of the flâneur” (2010, p. 47) and rendering the transgression as haunting, Woolf evades participation in the masculine world of traffic and exchange by way of bringing the space of the Gothic confinement, and also of entombment, to the public.
topic haunting
Gothicism
Virginia Woolf
gender
flâneur
market
London
url http://avant.edu.pl/wp-content/uploads/Pantuchowicz-The-Haunting-Presence.pdf
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