On psychiatry in cinema
Hannibal Lecter, Malcolm Crowe, and Arthur Fleck are three cinematic characters that relentlessly pull the viewer in for different but powerful reasons. A common thread between these characters is their explicit connection to psychiatric illness or its treatment. The author explains how these chara...
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2020-08-01
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Online Access: | https://mjm.mcgill.ca/article/view/301 |
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doaj-9da69dd94a254db4b222149601bd36d02020-11-25T03:55:20ZengMcGill UniversityMcGill Journal of Medicine1715-81252020-08-01181On psychiatry in cinemaDennis Curry Hannibal Lecter, Malcolm Crowe, and Arthur Fleck are three cinematic characters that relentlessly pull the viewer in for different but powerful reasons. A common thread between these characters is their explicit connection to psychiatric illness or its treatment. The author explains how these characters obtain the attention of the audience through the lens of mental illness and how the viewer’s reservoir for compassion stands to deepen during this process. The author concludes with a social commentary on Todd Phillips’ Joker (2019) and the controversy surrounding its depiction of mental illness on the silver screen. https://mjm.mcgill.ca/article/view/301Psychiatrycinemasocietyresponsibilityjoker |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Dennis Curry |
spellingShingle |
Dennis Curry On psychiatry in cinema McGill Journal of Medicine Psychiatry cinema society responsibility joker |
author_facet |
Dennis Curry |
author_sort |
Dennis Curry |
title |
On psychiatry in cinema |
title_short |
On psychiatry in cinema |
title_full |
On psychiatry in cinema |
title_fullStr |
On psychiatry in cinema |
title_full_unstemmed |
On psychiatry in cinema |
title_sort |
on psychiatry in cinema |
publisher |
McGill University |
series |
McGill Journal of Medicine |
issn |
1715-8125 |
publishDate |
2020-08-01 |
description |
Hannibal Lecter, Malcolm Crowe, and Arthur Fleck are three cinematic characters that relentlessly pull the viewer in for different but powerful reasons. A common thread between these characters is their explicit connection to psychiatric illness or its treatment. The author explains how these characters obtain the attention of the audience through the lens of mental illness and how the viewer’s reservoir for compassion stands to deepen during this process. The author concludes with a social commentary on Todd Phillips’ Joker (2019) and the controversy surrounding its depiction of mental illness on the silver screen.
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topic |
Psychiatry cinema society responsibility joker |
url |
https://mjm.mcgill.ca/article/view/301 |
work_keys_str_mv |
AT denniscurry onpsychiatryincinema |
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1724469352610136064 |