Musical transformations of non-places
The twentieth and twenty-first century have been a temporary canvas where two closely related concepts have broadened, both in terms of modernity and supermodernity: ambient music and the development of urban spaces. Both phenomena undergo a development, interaction and sustained change p...
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Instituto Interuniversitario de Desarrollo Social y Paz, Universidad de Alicante
2018-11-01
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doaj-9fc4804fc0394a3e84fab0962801bab62021-07-28T11:07:06ZcatInstituto Interuniversitario de Desarrollo Social y Paz, Universidad de AlicanteOBETS : Revista de Ciencias Sociales2529-97271989-13852018-11-0113321110.14198/OBETS2018.13.1.08Musical transformations of non-placesAntonio Francisco Alaminos-Fernándezhttps://orcid.org/0000-0002-4606-4646 The twentieth and twenty-first century have been a temporary canvas where two closely related concepts have broadened, both in terms of modernity and supermodernity: ambient music and the development of urban spaces. Both phenomena undergo a development, interaction and sustained change process, largely caused by technological changes. For the purpose of this study, first the concept of "non-places" and its change from physical spaces to virtual spaces will be presented. In second place, the development of ambient music is specifically considered; first regarding the close relationship that it establishes with non-places and then the generation of atmospheres through collective sound spheres. Subsequent technological transformations spread and fragment the associations between non-places and music, enabling personal atmospheres through individual spheres. At present, technological developments allow virtual non-places to take shape (Augé), which are environmentally filled thanks to playlists through streaming services. Subsystems of delocalised networked spheres and temporary spheres are established, yet they are emotionally contiguous. This article presents the humanising role that music has experienced within this urban growth process in western societies, which have developed over the last century.https://revistaobets.ua.es/article/view/2018-v13-ex1-musical-transformations-of-non-places |
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DOAJ |
language |
Catalan |
format |
Article |
sources |
DOAJ |
author |
Antonio Francisco Alaminos-Fernández |
spellingShingle |
Antonio Francisco Alaminos-Fernández Musical transformations of non-places OBETS : Revista de Ciencias Sociales |
author_facet |
Antonio Francisco Alaminos-Fernández |
author_sort |
Antonio Francisco Alaminos-Fernández |
title |
Musical transformations of non-places |
title_short |
Musical transformations of non-places |
title_full |
Musical transformations of non-places |
title_fullStr |
Musical transformations of non-places |
title_full_unstemmed |
Musical transformations of non-places |
title_sort |
musical transformations of non-places |
publisher |
Instituto Interuniversitario de Desarrollo Social y Paz, Universidad de Alicante |
series |
OBETS : Revista de Ciencias Sociales |
issn |
2529-9727 1989-1385 |
publishDate |
2018-11-01 |
description |
The twentieth and twenty-first century have been a temporary canvas where two closely related concepts have broadened, both in terms of modernity and supermodernity: ambient music and the development of urban spaces. Both phenomena undergo a development, interaction and sustained change process, largely caused by technological changes. For the purpose of this study, first the concept of "non-places" and its change from physical spaces to virtual spaces will be presented. In second place, the development of ambient music is specifically considered; first regarding the close relationship that it establishes with non-places and then the generation of atmospheres through collective sound spheres. Subsequent technological transformations spread and fragment the associations between non-places and music, enabling personal atmospheres through individual spheres. At present, technological developments allow virtual non-places to take shape (Augé), which are environmentally filled thanks to playlists through streaming services. Subsystems of delocalised networked spheres and temporary spheres are established, yet they are emotionally contiguous. This article presents the humanising role that music has experienced within this urban growth process in western societies, which have developed over the last century. |
url |
https://revistaobets.ua.es/article/view/2018-v13-ex1-musical-transformations-of-non-places |
work_keys_str_mv |
AT antoniofranciscoalaminosfernandez musicaltransformationsofnonplaces |
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1721278698904092672 |