Musical transformations of non-places

The twentieth and twenty-first century have been a temporary canvas where two closely related concepts have broadened, both in terms of modernity and supermodernity: ambient music and the development of urban spaces. Both phenomena undergo a development, interaction and sustained change p...

Full description

Bibliographic Details
Main Author: Antonio Francisco Alaminos-Fernández
Format: Article
Language:Catalan
Published: Instituto Interuniversitario de Desarrollo Social y Paz, Universidad de Alicante 2018-11-01
Series:OBETS : Revista de Ciencias Sociales
Online Access:https://revistaobets.ua.es/article/view/2018-v13-ex1-musical-transformations-of-non-places
id doaj-9fc4804fc0394a3e84fab0962801bab6
record_format Article
spelling doaj-9fc4804fc0394a3e84fab0962801bab62021-07-28T11:07:06ZcatInstituto Interuniversitario de Desarrollo Social y Paz, Universidad de AlicanteOBETS : Revista de Ciencias Sociales2529-97271989-13852018-11-0113321110.14198/OBETS2018.13.1.08Musical transformations of non-placesAntonio Francisco Alaminos-Fernándezhttps://orcid.org/0000-0002-4606-4646 The twentieth and twenty-first century have been a temporary canvas where two closely related concepts have broadened, both in terms of modernity and supermodernity: ambient music and the development of urban spaces. Both phenomena undergo a development, interaction and sustained change process, largely caused by technological changes. For the purpose of this study, first the concept of "non-places" and its change from physical spaces to virtual spaces will be presented. In second place, the development of ambient music is specifically considered; first regarding the close relationship that it establishes with non-places and then the generation of atmospheres through collective sound spheres. Subsequent technological transformations spread and fragment the associations between non-places and music, enabling personal atmospheres through individual spheres. At present, technological developments allow virtual non-places to take shape (Augé), which are environmentally filled thanks to playlists through streaming services. Subsystems of delocalised networked spheres and temporary spheres are established, yet they are emotionally contiguous. This article presents the humanising role that music has experienced within this urban growth process in western societies, which have developed over the last century.https://revistaobets.ua.es/article/view/2018-v13-ex1-musical-transformations-of-non-places
collection DOAJ
language Catalan
format Article
sources DOAJ
author Antonio Francisco Alaminos-Fernández
spellingShingle Antonio Francisco Alaminos-Fernández
Musical transformations of non-places
OBETS : Revista de Ciencias Sociales
author_facet Antonio Francisco Alaminos-Fernández
author_sort Antonio Francisco Alaminos-Fernández
title Musical transformations of non-places
title_short Musical transformations of non-places
title_full Musical transformations of non-places
title_fullStr Musical transformations of non-places
title_full_unstemmed Musical transformations of non-places
title_sort musical transformations of non-places
publisher Instituto Interuniversitario de Desarrollo Social y Paz, Universidad de Alicante
series OBETS : Revista de Ciencias Sociales
issn 2529-9727
1989-1385
publishDate 2018-11-01
description The twentieth and twenty-first century have been a temporary canvas where two closely related concepts have broadened, both in terms of modernity and supermodernity: ambient music and the development of urban spaces. Both phenomena undergo a development, interaction and sustained change process, largely caused by technological changes. For the purpose of this study, first the concept of "non-places" and its change from physical spaces to virtual spaces will be presented. In second place, the development of ambient music is specifically considered; first regarding the close relationship that it establishes with non-places and then the generation of atmospheres through collective sound spheres. Subsequent technological transformations spread and fragment the associations between non-places and music, enabling personal atmospheres through individual spheres. At present, technological developments allow virtual non-places to take shape (Augé), which are environmentally filled thanks to playlists through streaming services. Subsystems of delocalised networked spheres and temporary spheres are established, yet they are emotionally contiguous. This article presents the humanising role that music has experienced within this urban growth process in western societies, which have developed over the last century.
url https://revistaobets.ua.es/article/view/2018-v13-ex1-musical-transformations-of-non-places
work_keys_str_mv AT antoniofranciscoalaminosfernandez musicaltransformationsofnonplaces
_version_ 1721278698904092672