L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)

This paper proposes a new interpretation of the fresco illustrating the Holy Kings in the – today lutheran – church of Mălâncrav (Romania), formely situated in the Hungarian Kingdom. The iconographical analysis performed here shows a special interest in depicting an interaction between the figures :...

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Main Author: Doina Elena Craciun
Format: Article
Language:fra
Published: Centre d'Études Médievales Auxerre 2006-09-01
Series:Bulletin du Centre d’Études Médiévales d’Auxerre
Subjects:
Online Access:http://journals.openedition.org/cem/14066
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spelling doaj-a02082631b6c40c5ba464a83a8456c5a2020-11-24T21:17:54ZfraCentre d'Études Médievales AuxerreBulletin du Centre d’Études Médiévales d’Auxerre1623-57701954-30932006-09-011910.4000/cem.14066L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)Doina Elena CraciunThis paper proposes a new interpretation of the fresco illustrating the Holy Kings in the – today lutheran – church of Mălâncrav (Romania), formely situated in the Hungarian Kingdom. The iconographical analysis performed here shows a special interest in depicting an interaction between the figures : the royal saints of the Árpád dynasty and the bishop seem to form a group which faces the royal saint Sigismund. This staging of the two parties seem to mirror the political context during the period when the fresco was made, at the beggining of the 15th century, a time of rebellion of the nobles and ecclesiastical authorities of Hungary against their king, Sigismund of Luxembourg. After analysing the events and the symbols used by the rebels at that time, and considering the fact that the commissioner of the fresco participated at the uprising of 1403, the article proposes to see the figures in the fresco as symbols of the the two rival camps.http://journals.openedition.org/cem/14066Iconographiefresquesaints rois hongroisnobleSigismond de Luxembourg
collection DOAJ
language fra
format Article
sources DOAJ
author Doina Elena Craciun
spellingShingle Doina Elena Craciun
L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)
Bulletin du Centre d’Études Médiévales d’Auxerre
Iconographie
fresque
saints rois hongrois
noble
Sigismond de Luxembourg
author_facet Doina Elena Craciun
author_sort Doina Elena Craciun
title L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)
title_short L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)
title_full L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)
title_fullStr L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)
title_full_unstemmed L’image politique comme manifeste ? Considérations sur la fresque des saints rois dans l’église (luthérienne) de Mălâncrav (xve siècle)
title_sort l’image politique comme manifeste ? considérations sur la fresque des saints rois dans l’église (luthérienne) de mălâncrav (xve siècle)
publisher Centre d'Études Médievales Auxerre
series Bulletin du Centre d’Études Médiévales d’Auxerre
issn 1623-5770
1954-3093
publishDate 2006-09-01
description This paper proposes a new interpretation of the fresco illustrating the Holy Kings in the – today lutheran – church of Mălâncrav (Romania), formely situated in the Hungarian Kingdom. The iconographical analysis performed here shows a special interest in depicting an interaction between the figures : the royal saints of the Árpád dynasty and the bishop seem to form a group which faces the royal saint Sigismund. This staging of the two parties seem to mirror the political context during the period when the fresco was made, at the beggining of the 15th century, a time of rebellion of the nobles and ecclesiastical authorities of Hungary against their king, Sigismund of Luxembourg. After analysing the events and the symbols used by the rebels at that time, and considering the fact that the commissioner of the fresco participated at the uprising of 1403, the article proposes to see the figures in the fresco as symbols of the the two rival camps.
topic Iconographie
fresque
saints rois hongrois
noble
Sigismond de Luxembourg
url http://journals.openedition.org/cem/14066
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