La custodia del sentido. Una lectura de Nadie nada nunca
Until which point the literary difficulty can become a narrative project? Part of Juan José Saer’s work, in particular its novel Nadie nada nunca, fulfils the need to protect the sense, that is to say, to border the interpretation and make it opaque. This search is the consequence of experimentation...
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| Format: | Article |
| Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
2017-11-01
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| Series: | Cuadernos LIRICO |
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| Online Access: | http://journals.openedition.org/lirico/3863 |
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Article |
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doaj-a3ca921e22ce4f578edce3c9f7f00da52020-11-25T02:38:30ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83392017-11-011710.4000/lirico.3863La custodia del sentido. Una lectura de Nadie nada nuncaCamilo BogoyaUntil which point the literary difficulty can become a narrative project? Part of Juan José Saer’s work, in particular its novel Nadie nada nunca, fulfils the need to protect the sense, that is to say, to border the interpretation and make it opaque. This search is the consequence of experimentation, of presentation of a political reality and of defence of obscurity as a writing value. Starting from this postulate, this article explores the tendency to hermeticism in Nadie nada nunca. Likewise, it develops a reading of Saer’s essays to determine if a programmatic character of this hermetic postulate does exist. At last, a study of this tendency’s limits in the novel is proposed, highlighting the tension between obscurity and clarity and showing the link between hermeticism and music.http://journals.openedition.org/lirico/3863hermeticismSaerNadie nada nuncasleepwalker narratormusic |
| collection |
DOAJ |
| language |
Spanish |
| format |
Article |
| sources |
DOAJ |
| author |
Camilo Bogoya |
| spellingShingle |
Camilo Bogoya La custodia del sentido. Una lectura de Nadie nada nunca Cuadernos LIRICO hermeticism Saer Nadie nada nunca sleepwalker narrator music |
| author_facet |
Camilo Bogoya |
| author_sort |
Camilo Bogoya |
| title |
La custodia del sentido. Una lectura de Nadie nada nunca |
| title_short |
La custodia del sentido. Una lectura de Nadie nada nunca |
| title_full |
La custodia del sentido. Una lectura de Nadie nada nunca |
| title_fullStr |
La custodia del sentido. Una lectura de Nadie nada nunca |
| title_full_unstemmed |
La custodia del sentido. Una lectura de Nadie nada nunca |
| title_sort |
la custodia del sentido. una lectura de nadie nada nunca |
| publisher |
Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
| series |
Cuadernos LIRICO |
| issn |
2262-8339 |
| publishDate |
2017-11-01 |
| description |
Until which point the literary difficulty can become a narrative project? Part of Juan José Saer’s work, in particular its novel Nadie nada nunca, fulfils the need to protect the sense, that is to say, to border the interpretation and make it opaque. This search is the consequence of experimentation, of presentation of a political reality and of defence of obscurity as a writing value. Starting from this postulate, this article explores the tendency to hermeticism in Nadie nada nunca. Likewise, it develops a reading of Saer’s essays to determine if a programmatic character of this hermetic postulate does exist. At last, a study of this tendency’s limits in the novel is proposed, highlighting the tension between obscurity and clarity and showing the link between hermeticism and music. |
| topic |
hermeticism Saer Nadie nada nunca sleepwalker narrator music |
| url |
http://journals.openedition.org/lirico/3863 |
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AT camilobogoya lacustodiadelsentidounalecturadenadienadanunca |
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1724790534525943808 |