Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical Rhizome

<p>The paper gives an overview of a network of authors who have been active since the end of the 20th century, mainly (but not only) in Tartu. They can be characterized as having an experimental attitude and maintaining distance from the literary mainstream, but at the same time they do not tr...

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Main Author: Aare Pilv
Format: Article
Language:English
Published: University of Tartu and Estonian Literary Museum 2013-06-01
Series:Methis: Studia Humaniora Estonica
Online Access:http://ojs.utlib.ee/index.php/methis/article/view/1000
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spelling doaj-a4f9bc89d77f4742ac0929d151b2d44d2020-11-24T23:37:36ZengUniversity of Tartu and Estonian Literary MuseumMethis: Studia Humaniora Estonica1736-68522013-06-0181110.7592/methis.v8i11.1000Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical RhizomeAare Pilv<p>The paper gives an overview of a network of authors who have been active since the end of the 20th century, mainly (but not only) in Tartu. They can be characterized as having an experimental attitude and maintaining distance from the literary mainstream, but at the same time they do not try to be consciously polemical or novatory, because partly they repeat the techniques of the 20th century avant-garde and, what is maybe more important, they sidestep the dialectics of innovating or altering the literary canon. The network is not strictly organized; it is rather a rhizome that has some denser nodes (literary journals and mailing lists). There have been different attempts to name the phenomenon: Tartu avant-garde, microcosmic literature, cognitive realism, Y-literature, "eksp" and so on. I have chosen "paranoiac-critique" as the term that best captures the common characteristics of these authors and their artistic practices (some of the authors are active not only as text writers, but also as conceptual artists).</p><p>The paper then gives a list, with commentary, of the most important groups and individuals of that movement. In the role of "predecessors" are the group 14NÜ (Paavo Matsin, Mait Laas, Marianne Ravi et al.), which also experimented with the format of the book, and a company in Tartu that developed a specific actionist stylistics called "mugiv" (Marko Kompus, Mehis Heinsaar, Martiini, Kaspar et al.). The sovereign figure in the experimental network is Valdur Mikita, who has also academically researched the problems of creativity; he is also a theoretician and metapoet. An important institution for the network has been the literary journal Vihik (initiator Berk Vaher); the later editor of the journal Jaak Tomberg has also participated in activities of the Tartu Theatre Laboratory (managed by Andreas W), which has experimented with "technological theatre". In the middle of the first decade of the 21st century the network has gathered around the mailing list "eksp", whose central figure is Erkki Luuk. Kiwa (also known as a conceptual and sound artist), Tanel Rander et al. are also important authors of the network. The poetics of the authors sometimes resembles classical avant-gardism (surrealism and dadaism), sometimes it is connected with ideas of schizoanalysis, and sometimes it is a mixture of absurdism and stylistic play. Beside texts, an important role is played by specific performative events, e. g. the annual "International Conference, Scientific Conference", which rigidly follows the format of a scientific conference, but the content of the "papers" extends from pure glossolaly to sophisticated mock-research.</p><p>The main purpose of the paper is to sketch a map of this peculiar phenomenon in the contemporary Estonian literary field and to create an initial database of works and reception for further analyses.</p>http://ojs.utlib.ee/index.php/methis/article/view/1000
collection DOAJ
language English
format Article
sources DOAJ
author Aare Pilv
spellingShingle Aare Pilv
Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical Rhizome
Methis: Studia Humaniora Estonica
author_facet Aare Pilv
author_sort Aare Pilv
title Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical Rhizome
title_short Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical Rhizome
title_full Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical Rhizome
title_fullStr Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical Rhizome
title_full_unstemmed Väike teatmik (Tartu) paranoiakriitilise risoomi kohta / A Small Guide to the (Tartu) Paranoiac-Critical Rhizome
title_sort väike teatmik (tartu) paranoiakriitilise risoomi kohta / a small guide to the (tartu) paranoiac-critical rhizome
publisher University of Tartu and Estonian Literary Museum
series Methis: Studia Humaniora Estonica
issn 1736-6852
publishDate 2013-06-01
description <p>The paper gives an overview of a network of authors who have been active since the end of the 20th century, mainly (but not only) in Tartu. They can be characterized as having an experimental attitude and maintaining distance from the literary mainstream, but at the same time they do not try to be consciously polemical or novatory, because partly they repeat the techniques of the 20th century avant-garde and, what is maybe more important, they sidestep the dialectics of innovating or altering the literary canon. The network is not strictly organized; it is rather a rhizome that has some denser nodes (literary journals and mailing lists). There have been different attempts to name the phenomenon: Tartu avant-garde, microcosmic literature, cognitive realism, Y-literature, "eksp" and so on. I have chosen "paranoiac-critique" as the term that best captures the common characteristics of these authors and their artistic practices (some of the authors are active not only as text writers, but also as conceptual artists).</p><p>The paper then gives a list, with commentary, of the most important groups and individuals of that movement. In the role of "predecessors" are the group 14NÜ (Paavo Matsin, Mait Laas, Marianne Ravi et al.), which also experimented with the format of the book, and a company in Tartu that developed a specific actionist stylistics called "mugiv" (Marko Kompus, Mehis Heinsaar, Martiini, Kaspar et al.). The sovereign figure in the experimental network is Valdur Mikita, who has also academically researched the problems of creativity; he is also a theoretician and metapoet. An important institution for the network has been the literary journal Vihik (initiator Berk Vaher); the later editor of the journal Jaak Tomberg has also participated in activities of the Tartu Theatre Laboratory (managed by Andreas W), which has experimented with "technological theatre". In the middle of the first decade of the 21st century the network has gathered around the mailing list "eksp", whose central figure is Erkki Luuk. Kiwa (also known as a conceptual and sound artist), Tanel Rander et al. are also important authors of the network. The poetics of the authors sometimes resembles classical avant-gardism (surrealism and dadaism), sometimes it is connected with ideas of schizoanalysis, and sometimes it is a mixture of absurdism and stylistic play. Beside texts, an important role is played by specific performative events, e. g. the annual "International Conference, Scientific Conference", which rigidly follows the format of a scientific conference, but the content of the "papers" extends from pure glossolaly to sophisticated mock-research.</p><p>The main purpose of the paper is to sketch a map of this peculiar phenomenon in the contemporary Estonian literary field and to create an initial database of works and reception for further analyses.</p>
url http://ojs.utlib.ee/index.php/methis/article/view/1000
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