Review of Kelly Askew. 2002. Performing the Nation: Swahili Music and Cultural Politics in Tanzania. Chicago and London: University of Chicago Press

If the last few decades of postcolonial critique have accomplished anything, it has been to cast a bright light on certain elephants that have too long resided, invisible, in cultural anthropology's living room. The largest of these has been, of course, the nation-state. It took years of searc...

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Bibliographic Details
Main Author: Andrew Eisenberg
Format: Article
Language:English
Published: Columbia University Libraries 2003-03-01
Series:Current Musicology
Online Access:https://journals.library.columbia.edu/index.php/currentmusicology/article/view/4947
Description
Summary:If the last few decades of postcolonial critique have accomplished anything, it has been to cast a bright light on certain elephants that have too long resided, invisible, in cultural anthropology's living room. The largest of these has been, of course, the nation-state. It took years of searching cri-tiques, but citizenship, nationalism, and state fetishism have finally become stock anthropological topics. The evidence of this shift may not yet be fully felt in the academic publishing world; however, if the list of dissertation topics in North America's top anthropology departments is any indication, an "anthropology of the state" is no longer an arcane idea.
ISSN:0011-3735