MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM
Many studies have addressed the issue of migration and displacement, one of the main geopolitical challenges of our time, but far fewer have analysed it using an interdisciplinary framework and selecting literary and artistic practices from a transnational context. !e purpose of this paper is to de...
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doaj-a60e2b1daab74f469c18088945f565562020-11-25T03:14:01ZporUniversidade do MinhoDiacrítica0870-89672183-91742019-05-0131310.21814/diacritica.388MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALMPaulo Silva Pereira0Departamento de Línguas, Literaturas e Culturas / Centro de Literatura Portuguesa / Programa de Doutoramento em Materialidades da Literatura, Faculdade de Letras, Universidade de Coimbra, Portugal. Many studies have addressed the issue of migration and displacement, one of the main geopolitical challenges of our time, but far fewer have analysed it using an interdisciplinary framework and selecting literary and artistic practices from a transnational context. !e purpose of this paper is to describe the way in which the artists use the specificity of medium and mechanism in their projects to reflect on the current migratory crisis and forced migration, to critique the securitization or the politics of immigration in recent years and to explore a tactical use of technologies in order to expand public consciousness and political debate. It is directly focused on the migratory processes involving Mexicans who go to the United States and its connection to the complex political imaginary of these regions, and on the relationship between identity and marginalization, particularly the influence of the conceptualization of migrants as the Other in contemporary European society. Based on the analysis of a series of case studies both from a theoretical and from an artistic point of view –, this research intends to understand how these projects explore forms of critical intervention, dissent or disruption of a dominant semiotic regime by stimulating critical thinking about consolidated narratives and sign systems of identity and difference. http://diacritica.ilch.uminho.pt/index.php/dia/article/view/388 |
collection |
DOAJ |
language |
Portuguese |
format |
Article |
sources |
DOAJ |
author |
Paulo Silva Pereira |
spellingShingle |
Paulo Silva Pereira MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM Diacrítica |
author_facet |
Paulo Silva Pereira |
author_sort |
Paulo Silva Pereira |
title |
MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM |
title_short |
MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM |
title_full |
MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM |
title_fullStr |
MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM |
title_full_unstemmed |
MIGRATIONS, POLITICAL BORDERS AND THE DIGITAL REALM |
title_sort |
migrations, political borders and the digital realm |
publisher |
Universidade do Minho |
series |
Diacrítica |
issn |
0870-8967 2183-9174 |
publishDate |
2019-05-01 |
description |
Many studies have addressed the issue of migration and displacement, one of the
main geopolitical challenges of our time, but far fewer have analysed it using an
interdisciplinary framework and selecting literary and artistic practices from a
transnational context. !e purpose of this paper is to describe the way in which
the artists use the specificity of medium and mechanism in their projects to reflect
on the current migratory crisis and forced migration, to critique the securitization
or the politics of immigration in recent years and to explore a tactical use of technologies
in order to expand public consciousness and political debate. It is directly
focused on the migratory processes involving Mexicans who go to the United States
and its connection to the complex political imaginary of these regions, and on the
relationship between identity and marginalization, particularly the influence of
the conceptualization of migrants as the Other in contemporary European society.
Based on the analysis of a series of case studies both from a theoretical and from
an artistic point of view –, this research intends to understand how these projects
explore forms of critical intervention, dissent or disruption of a dominant semiotic
regime by stimulating critical thinking about consolidated narratives and sign systems
of identity and difference.
|
url |
http://diacritica.ilch.uminho.pt/index.php/dia/article/view/388 |
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AT paulosilvapereira migrationspoliticalbordersandthedigitalrealm |
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