Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign

Political communication increasingly takes on visual forms. Yet, despite their ubiquity in everyday communication and digital campaigning, the use of these visuals remains critically understudied. In this article, we investigate the formats and modes of visual content deployed by Twitter users over...

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Main Authors: Nahema Marchal, Lisa-Maria Neudert, Bence Kollanyi, Philip N. Howard
Format: Article
Language:English
Published: Cogitatio 2021-02-01
Series:Media and Communication
Subjects:
Online Access:https://www.cogitatiopress.com/mediaandcommunication/article/view/3421
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spelling doaj-a6ef8d56e782454891251a0595aba22a2021-02-03T10:26:32ZengCogitatioMedia and Communication2183-24392021-02-019115817010.17645/mac.v9i1.34211825Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election CampaignNahema Marchal0Lisa-Maria Neudert1Bence Kollanyi2Philip N. Howard3Oxford Internet Institute, University of Oxford, UKOxford Internet Institute, University of Oxford, UKDoctoral School of Sociology, Corvinus University of Budapest, HungaryOxford Internet Institute, University of Oxford, UKPolitical communication increasingly takes on visual forms. Yet, despite their ubiquity in everyday communication and digital campaigning, the use of these visuals remains critically understudied. In this article, we investigate the formats and modes of visual content deployed by Twitter users over a two-week period leading up to the 2019 EU Parliamentary elections and across two publics: those discussing the election at large and those discussing the more contentious issue of EU membership. Conducting a multilingual, cross-comparative content and thematic analysis of a sample of 1,097 images, we find that: (1) Visuals originating from traditional political actors prevailed among both Twitter discourses; (2) users shared substantial amounts of anti-EU, populist and, to a lesser extent, extremist images, though this content remained largely disjointed from the mainstream public debate; and (3) political humor emerged as a vector for anti-establishment and Eurosceptic themes, especially in discussions critical of the European project. We discuss the implications of our findings for the study of visual political communication and social media manipulation.https://www.cogitatiopress.com/mediaandcommunication/article/view/3421electionseuropean politicspopulismsocial mediavisual communication
collection DOAJ
language English
format Article
sources DOAJ
author Nahema Marchal
Lisa-Maria Neudert
Bence Kollanyi
Philip N. Howard
spellingShingle Nahema Marchal
Lisa-Maria Neudert
Bence Kollanyi
Philip N. Howard
Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign
Media and Communication
elections
european politics
populism
social media
visual communication
author_facet Nahema Marchal
Lisa-Maria Neudert
Bence Kollanyi
Philip N. Howard
author_sort Nahema Marchal
title Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign
title_short Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign
title_full Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign
title_fullStr Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign
title_full_unstemmed Investigating Visual Content Shared over Twitter during the 2019 EU Parliamentary Election Campaign
title_sort investigating visual content shared over twitter during the 2019 eu parliamentary election campaign
publisher Cogitatio
series Media and Communication
issn 2183-2439
publishDate 2021-02-01
description Political communication increasingly takes on visual forms. Yet, despite their ubiquity in everyday communication and digital campaigning, the use of these visuals remains critically understudied. In this article, we investigate the formats and modes of visual content deployed by Twitter users over a two-week period leading up to the 2019 EU Parliamentary elections and across two publics: those discussing the election at large and those discussing the more contentious issue of EU membership. Conducting a multilingual, cross-comparative content and thematic analysis of a sample of 1,097 images, we find that: (1) Visuals originating from traditional political actors prevailed among both Twitter discourses; (2) users shared substantial amounts of anti-EU, populist and, to a lesser extent, extremist images, though this content remained largely disjointed from the mainstream public debate; and (3) political humor emerged as a vector for anti-establishment and Eurosceptic themes, especially in discussions critical of the European project. We discuss the implications of our findings for the study of visual political communication and social media manipulation.
topic elections
european politics
populism
social media
visual communication
url https://www.cogitatiopress.com/mediaandcommunication/article/view/3421
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