The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms

This paper examines the versification style of the Romansh poet Andri Peer, who can be considered as the first “modern” poet of the Romansh literature. It focuses on Andri Peer’s most frequently used verse lines in his early free forms: the heptasyllabic and hendecasyllabic verse. A rhythmical analy...

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Main Author: Renzo Caduff
Format: Article
Language:English
Published: University of Tartu Press 2017-08-01
Series:Studia Metrica et Poetica
Subjects:
Online Access:https://ojs.utlib.ee/index.php/smp/article/view/13561
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spelling doaj-a6fe15daa38d46138da05dd0beef42fc2020-11-25T03:04:27ZengUniversity of Tartu PressStudia Metrica et Poetica2346-69012346-691X2017-08-014110.12697/smp.2017.4.1.04The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free formsRenzo Caduff0University of Geneva, Unité de rhétoromanche, Rue St-Ours 5, CH-1205 GenevaThis paper examines the versification style of the Romansh poet Andri Peer, who can be considered as the first “modern” poet of the Romansh literature. It focuses on Andri Peer’s most frequently used verse lines in his early free forms: the heptasyllabic and hendecasyllabic verse. A rhythmical analysis of the single verse instances revealed that the internal organisation of the line is not very elaborate. In the case of the heptasyllables found in his early free forms, only four patterns make up over 80% of all heptasyllabic verses. Regarding Peer’s hendecasyllables, it is shown that his arrangement of the prominent syllables is rather regular, especially in comparison to the hendecasyllables of his precursor Peider Lansel. This trend in Peer’s versification to use fixed dispositions of syllables is interpreted as a compensation for the loss of other structural features such as the stanza or the rhyme.https://ojs.utlib.ee/index.php/smp/article/view/13561heptasyllabic and hendecasyllabic verseversification styleversi ombraRomansh poetry
collection DOAJ
language English
format Article
sources DOAJ
author Renzo Caduff
spellingShingle Renzo Caduff
The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms
Studia Metrica et Poetica
heptasyllabic and hendecasyllabic verse
versification style
versi ombra
Romansh poetry
author_facet Renzo Caduff
author_sort Renzo Caduff
title The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms
title_short The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms
title_full The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms
title_fullStr The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms
title_full_unstemmed The versification of the Romansh poet Andri Peer: the heptasyllable and hendecasyllable in his early free forms
title_sort versification of the romansh poet andri peer: the heptasyllable and hendecasyllable in his early free forms
publisher University of Tartu Press
series Studia Metrica et Poetica
issn 2346-6901
2346-691X
publishDate 2017-08-01
description This paper examines the versification style of the Romansh poet Andri Peer, who can be considered as the first “modern” poet of the Romansh literature. It focuses on Andri Peer’s most frequently used verse lines in his early free forms: the heptasyllabic and hendecasyllabic verse. A rhythmical analysis of the single verse instances revealed that the internal organisation of the line is not very elaborate. In the case of the heptasyllables found in his early free forms, only four patterns make up over 80% of all heptasyllabic verses. Regarding Peer’s hendecasyllables, it is shown that his arrangement of the prominent syllables is rather regular, especially in comparison to the hendecasyllables of his precursor Peider Lansel. This trend in Peer’s versification to use fixed dispositions of syllables is interpreted as a compensation for the loss of other structural features such as the stanza or the rhyme.
topic heptasyllabic and hendecasyllabic verse
versification style
versi ombra
Romansh poetry
url https://ojs.utlib.ee/index.php/smp/article/view/13561
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