Staging the Easter Rising: Plays by W.B. Yeats, Sean O’Casey and Colm Tóibín
Despite the fact that the 1916 Easter Rising has given rise to many critical inquiries and occasioned heated debate among nationalist and revisionist historians, this historical event has been revered almost as a creation story for the Republic of Ireland. This paper will examine three plays that re...
Main Author: | Kao, Wei H. |
---|---|
Format: | Article |
Language: | English |
Published: |
SAHkartell
2016-06-01
|
Series: | Studies in Arts and Humanities |
Subjects: | |
Online Access: | http://sahjournal.com/index.php/sah/article/view/43 |
Similar Items
-
Sean O’Casey’s Feminist Vein: Empowered Female Representations in Juno and the Paycock
by: Claudia Parra
Published: (2020-05-01) -
‘… what’s far worse, it’ll have two mothers’: Rhetoric and Reproduction in Sean O’Casey’s Dublin Quartet
by: Eamonn Hughes
Published: (2005-03-01) -
Domesticity in the trilogies of Sean O’Casey and Yu Ch'i-jin
by: Ji Hyea Hwang
Published: (2020-05-01) -
Imaginary irishness: the feminine in dramatisations of the Paster Rising in Sean O’Casey’s the plough and the stars and Tom Murphy’s The Patriot Game
by: Parra, Cláudia [UNESP]
Published: (2016) -
Recessive Action in Colm Tóibín’s Brooklyn
by: Camelia Raghinaru
Published: (2018-10-01)