Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory

In the last decades, moving images have become a common feature not only in art museums, but also in a wide range of institutions devoted to the conservation and transmission of memory. This paper focuses on the role of audio-visuals in the exhibition design of history and memory museums, arguing th...

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Main Author: Mandelli Elisa
Format: Article
Language:English
Published: Sciendo 2015-12-01
Series:Acta Universitatis Sapientiae: Film and Media Studies
Subjects:
Online Access:https://doi.org/10.1515/ausfm-2015-0016
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spelling doaj-aac90205b1ef4d35ba7736ff86f472862021-09-06T19:40:19ZengSciendoActa Universitatis Sapientiae: Film and Media Studies2066-77792015-12-01111779210.1515/ausfm-2015-0016ausfm-2015-0016Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of MemoryMandelli Elisa0Ca’ Foscari University of Venice (Italy)In the last decades, moving images have become a common feature not only in art museums, but also in a wide range of institutions devoted to the conservation and transmission of memory. This paper focuses on the role of audio-visuals in the exhibition design of history and memory museums, arguing that they are privileged means to achieve the spectacular effects and the visitors’ emotional and “experiential” engagement that constitute the main objective of contemporary museums. I will discuss this topic through the concept of “cinematic attraction,” claiming that when embedded in displays, films and moving images often produce spectacular mises en scène with immersive effects, creating wonder and astonishment, and involving visitors on an emotional, visceral and physical level. Moreover, I will consider the diffusion of audio-visual witnesses of real or imaginary historical characters, presented in Phantasmagoria-like displays that simulate ghostly and uncanny apparitions, creating an ambiguous and often problematic coexistence of truth and illusion, subjectivity and objectivity, facts and imagination.https://doi.org/10.1515/ausfm-2015-0016exhibitionhistory museummemoryaudio-visual displayattraction/narrationphantasmagoria
collection DOAJ
language English
format Article
sources DOAJ
author Mandelli Elisa
spellingShingle Mandelli Elisa
Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory
Acta Universitatis Sapientiae: Film and Media Studies
exhibition
history museum
memory
audio-visual display
attraction/narration
phantasmagoria
author_facet Mandelli Elisa
author_sort Mandelli Elisa
title Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory
title_short Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory
title_full Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory
title_fullStr Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory
title_full_unstemmed Spectacular Attractions: Museums, Audio-Visuals and the Ghosts of Memory
title_sort spectacular attractions: museums, audio-visuals and the ghosts of memory
publisher Sciendo
series Acta Universitatis Sapientiae: Film and Media Studies
issn 2066-7779
publishDate 2015-12-01
description In the last decades, moving images have become a common feature not only in art museums, but also in a wide range of institutions devoted to the conservation and transmission of memory. This paper focuses on the role of audio-visuals in the exhibition design of history and memory museums, arguing that they are privileged means to achieve the spectacular effects and the visitors’ emotional and “experiential” engagement that constitute the main objective of contemporary museums. I will discuss this topic through the concept of “cinematic attraction,” claiming that when embedded in displays, films and moving images often produce spectacular mises en scène with immersive effects, creating wonder and astonishment, and involving visitors on an emotional, visceral and physical level. Moreover, I will consider the diffusion of audio-visual witnesses of real or imaginary historical characters, presented in Phantasmagoria-like displays that simulate ghostly and uncanny apparitions, creating an ambiguous and often problematic coexistence of truth and illusion, subjectivity and objectivity, facts and imagination.
topic exhibition
history museum
memory
audio-visual display
attraction/narration
phantasmagoria
url https://doi.org/10.1515/ausfm-2015-0016
work_keys_str_mv AT mandellielisa spectacularattractionsmuseumsaudiovisualsandtheghostsofmemory
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