« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh
Published in 1897, The Beetle by Richard Marsh was a great fin-de-siècle success which once rivalled the now arch-famous Dracula. Although it has almost sunk into oblivion, The Beetle may have been deemed powerful in its time because it displays all the archetypal fears haunting the nineteen-ninetie...
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Presses Universitaires de la Méditerranée
2008-12-01
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Series: | Cahiers Victoriens et Edouardiens |
Online Access: | http://journals.openedition.org/cve/8492 |
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doaj-acebdcf6a8824b1a9544beacc0db30e52021-07-08T16:42:30ZengPresses Universitaires de la MéditerranéeCahiers Victoriens et Edouardiens0220-56102271-61492008-12-016710.4000/cve.8492« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard MarshCatherine LanonePublished in 1897, The Beetle by Richard Marsh was a great fin-de-siècle success which once rivalled the now arch-famous Dracula. Although it has almost sunk into oblivion, The Beetle may have been deemed powerful in its time because it displays all the archetypal fears haunting the nineteen-nineties, from degeneracy to mesmerism, reverse colonialism or the New Woman. It creates scenes of utmost terror which are extremely effective, however badly written the novel may be in parts. Exploring unstable areas, The Beetle is a striking example of suburban Gothic, pitting the supernatural creature against the vagrant, the lady, the politician or the scientist, in order to challenge social but also gendered boundaries.http://journals.openedition.org/cve/8492 |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Catherine Lanone |
spellingShingle |
Catherine Lanone « But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh Cahiers Victoriens et Edouardiens |
author_facet |
Catherine Lanone |
author_sort |
Catherine Lanone |
title |
« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh |
title_short |
« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh |
title_full |
« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh |
title_fullStr |
« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh |
title_full_unstemmed |
« But in that room, in that presence, I was invertebrate » : la peur de l’autre dans The Beetle de Richard Marsh |
title_sort |
« but in that room, in that presence, i was invertebrate » : la peur de l’autre dans the beetle de richard marsh |
publisher |
Presses Universitaires de la Méditerranée |
series |
Cahiers Victoriens et Edouardiens |
issn |
0220-5610 2271-6149 |
publishDate |
2008-12-01 |
description |
Published in 1897, The Beetle by Richard Marsh was a great fin-de-siècle success which once rivalled the now arch-famous Dracula. Although it has almost sunk into oblivion, The Beetle may have been deemed powerful in its time because it displays all the archetypal fears haunting the nineteen-nineties, from degeneracy to mesmerism, reverse colonialism or the New Woman. It creates scenes of utmost terror which are extremely effective, however badly written the novel may be in parts. Exploring unstable areas, The Beetle is a striking example of suburban Gothic, pitting the supernatural creature against the vagrant, the lady, the politician or the scientist, in order to challenge social but also gendered boundaries. |
url |
http://journals.openedition.org/cve/8492 |
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