Realism as a third film practice
The concept of realism may owe much of its success to its vague definition. This article suggests that it can be useful as a term that covers a central, mainstream film practice in European and other national cinemas, located somewhere in between genre films and art films. The concept refers to a se...
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| Format: | Article |
| Language: | Danish |
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Sammenslutningen af Medieforskere i Danmark (SMID)
2011-08-01
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| Series: | MedieKultur: Journal of Media and Communication Research |
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| Online Access: | https://tidsskrift.dk/mediekultur/article/view/4078 |
| Summary: | The concept of realism may owe much of its success to its vague definition. This article suggests that it can be useful as a term that covers a central, mainstream film practice in European and other national cinemas, located somewhere in between genre films and art films. The concept refers to a serious kind of film that does not obey classical genre rules, but nevertheless tells its stories in an accessible and often engaging form that, generally speaking, creates a more popular (yet serious) film than the art film. As a film practice, it cuts across well known but often vaguely defined sub-categories, such as social realism and psychological realism. Finally, it is argued that the dichotomy between Hollywood genre films and European art cinema ignores both national variants of basic genres and a tradition of realism as a mainstream film practice. |
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| ISSN: | 0900-9671 1901-9726 |