The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)

Introduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s...

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Main Author: Aleksandra A. Pesetskaya
Format: Article
Language:English
Published: National Research Mordova State University; MRSU 2020-03-01
Series:Финно-угорский мир
Subjects:
Online Access:http://csfu.mrsu.ru/en/archives/3036
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spelling doaj-aecfcbb8d7eb42e9a050b04a2a77f8732020-11-25T00:41:13ZengNational Research Mordova State University; MRSUФинно-угорский мир2076-25772541-982X2020-03-0111445146510.15507/2076-2577.011.2019.04.451-465The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)Aleksandra A. Pesetskaya0Russian Museum of EthnographyIntroduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s design and decorative features played a role of a marker. Materials and Methods. The research is based on the collections of the Russian Museum of Ethnography, which has an archive of wedding caftans of the Hill and Meadow Mari, as well as a great deal of written and field sources (2010 – 2018). Results and Discussion. The article differentiates male’s and female’s wedding caftans, underlines their basic local distinctive decor features. The colour serves as the main criterion. Apart from that, there are some distinctive features in the caftans’ back part and breast area. The article singles out highly and least decorated parts of the wedding caftan, takes a look at various materials served as a basis for decoration of the most important areas of the item. The paper highlights the most “alteration-proof” parts of the caftan and underlines the features of the wedding clothing. Conclusion. A study of this clothing item is of great significance in terms of the research of changes in the Mari traditional ceremonial clothes, because as field research in the region has proved, the color of the wedding caftan keeps on varying depending on local customs and remains to be a criterion of the group’s identity.http://csfu.mrsu.ru/en/archives/3036mari clotheswedding dresswedding caftanmariwedding
collection DOAJ
language English
format Article
sources DOAJ
author Aleksandra A. Pesetskaya
spellingShingle Aleksandra A. Pesetskaya
The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
Финно-угорский мир
mari clothes
wedding dress
wedding caftan
mari
wedding
author_facet Aleksandra A. Pesetskaya
author_sort Aleksandra A. Pesetskaya
title The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
title_short The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
title_full The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
title_fullStr The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
title_full_unstemmed The Mari wedding robes as a group’s identity marker (based on the materials of the Russian Museum of Ethnography)
title_sort mari wedding robes as a group’s identity marker (based on the materials of the russian museum of ethnography)
publisher National Research Mordova State University; MRSU
series Финно-угорский мир
issn 2076-2577
2541-982X
publishDate 2020-03-01
description Introduction. In traditional culture, wedding clothing is distinguished by its multifunctionality and attractiveness, as it is meant to reflect significant social changes. In a Mari wedding clothing, robes have always played a particular role of an indicator of belonging to the community. The robe’s design and decorative features played a role of a marker. Materials and Methods. The research is based on the collections of the Russian Museum of Ethnography, which has an archive of wedding caftans of the Hill and Meadow Mari, as well as a great deal of written and field sources (2010 – 2018). Results and Discussion. The article differentiates male’s and female’s wedding caftans, underlines their basic local distinctive decor features. The colour serves as the main criterion. Apart from that, there are some distinctive features in the caftans’ back part and breast area. The article singles out highly and least decorated parts of the wedding caftan, takes a look at various materials served as a basis for decoration of the most important areas of the item. The paper highlights the most “alteration-proof” parts of the caftan and underlines the features of the wedding clothing. Conclusion. A study of this clothing item is of great significance in terms of the research of changes in the Mari traditional ceremonial clothes, because as field research in the region has proved, the color of the wedding caftan keeps on varying depending on local customs and remains to be a criterion of the group’s identity.
topic mari clothes
wedding dress
wedding caftan
mari
wedding
url http://csfu.mrsu.ru/en/archives/3036
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