Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)

The dissertation analyzes the history of the mutual transformation at the origin of the artistic production in New Spain from the 16th to the 17th century onward. Based upon the innovative « triptych » feather art/cartography/graffiti, our corpus allows to interrogate the birth and developments of t...

Full description

Bibliographic Details
Main Author: Alessandra Russo
Format: Article
Language:English
Published: Centre de Recherches sur les Mondes Américains 2017-06-01
Series:Nuevo mundo - Mundos Nuevos
Subjects:
Online Access:http://journals.openedition.org/nuevomundo/3420
id doaj-af083e5f6d9a411f9d29be4a947f2625
record_format Article
spelling doaj-af083e5f6d9a411f9d29be4a947f26252021-10-05T12:59:47ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522017-06-0110.4000/nuevomundo.3420Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)Alessandra RussoThe dissertation analyzes the history of the mutual transformation at the origin of the artistic production in New Spain from the 16th to the 17th century onward. Based upon the innovative « triptych » feather art/cartography/graffiti, our corpus allows to interrogate the birth and developments of the Mexican colonial society from very diverse vantage points. The first part of the thesis demonstrates the preponderant place the three identified objects had during the process of the military conquest. The second part studies the role they played during the spiritual and administrative colonization. The third part enlightens the mutual transformation of the artistic languages. The society of the New Spain is studied as a complex web of creative situations which were essential to its growth and vitality. The proposed triptych becomes a multi-laboratory to analyze the pertinence of a mestizo history of the arts, capable to formulate an anthropologic, historic and esthetic frame in order to study the sphere of creation.http://journals.openedition.org/nuevomundo/3420feather artgraffitiHistorical anthropologyArt historyColonial Mexicocartography
collection DOAJ
language English
format Article
sources DOAJ
author Alessandra Russo
spellingShingle Alessandra Russo
Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)
Nuevo mundo - Mundos Nuevos
feather art
graffiti
Historical anthropology
Art history
Colonial Mexico
cartography
author_facet Alessandra Russo
author_sort Alessandra Russo
title Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)
title_short Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)
title_full Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)
title_fullStr Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)
title_full_unstemmed Triptyque novohispano. Plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)
title_sort triptyque novohispano. plumes, cartes et graffiti pour une histoire métisse des arts (16e-17e siècles)
publisher Centre de Recherches sur les Mondes Américains
series Nuevo mundo - Mundos Nuevos
issn 1626-0252
publishDate 2017-06-01
description The dissertation analyzes the history of the mutual transformation at the origin of the artistic production in New Spain from the 16th to the 17th century onward. Based upon the innovative « triptych » feather art/cartography/graffiti, our corpus allows to interrogate the birth and developments of the Mexican colonial society from very diverse vantage points. The first part of the thesis demonstrates the preponderant place the three identified objects had during the process of the military conquest. The second part studies the role they played during the spiritual and administrative colonization. The third part enlightens the mutual transformation of the artistic languages. The society of the New Spain is studied as a complex web of creative situations which were essential to its growth and vitality. The proposed triptych becomes a multi-laboratory to analyze the pertinence of a mestizo history of the arts, capable to formulate an anthropologic, historic and esthetic frame in order to study the sphere of creation.
topic feather art
graffiti
Historical anthropology
Art history
Colonial Mexico
cartography
url http://journals.openedition.org/nuevomundo/3420
work_keys_str_mv AT alessandrarusso triptyquenovohispanoplumescartesetgraffitipourunehistoiremetissedesarts16e17esiecles
_version_ 1716842397730603008