Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica

Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica

The violence of a past event has obvious consequences on the formation of the subjectivity of the generations that come after the event itself. This article analyzes the subjective effects of the Spanish Civil War through two films: El mar (2000) by Agustí Villaronga and En la ciudad sin límites (20...

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Bibliographic Details
Main Author: Marta Marín-Dòmine
Format: Article
Language:English
Published: TELEMME - UMR 6570 2006-09-01
Series:Amnis
Subjects:
Europe
Spain
civil war
cinema
Online Access:http://journals.openedition.org/amnis/888
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spelling doaj-af41dfb57c2944a097892767b7656c9b2020-11-25T02:10:51ZengTELEMME - UMR 6570Amnis1764-71932006-09-01610.4000/amnis.888Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográficaMarta Marín-DòmineThe violence of a past event has obvious consequences on the formation of the subjectivity of the generations that come after the event itself. This article analyzes the subjective effects of the Spanish Civil War through two films: El mar (2000) by Agustí Villaronga and En la ciudad sin límites (2001) by Antonio Hernández. It will be shown that the past can be either cause of fascination or taken as a narration through which the subject intertwines past and present. We see that what is at stake is Jouissance versus Creation.http://journals.openedition.org/amnis/888EuropeSpaincivil warcinema
collection DOAJ
language English
format Article
sources DOAJ
author Marta Marín-Dòmine
spellingShingle Marta Marín-Dòmine
Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica
Amnis
Europe
Spain
civil war
cinema
author_facet Marta Marín-Dòmine
author_sort Marta Marín-Dòmine
title Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica
title_short Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica
title_full Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica
title_fullStr Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica
title_full_unstemmed Sueños y pesadillas: efectos subjetivos de la Guerra Civil española a través de cierta mirada cinematográfica
title_sort sueños y pesadillas: efectos subjetivos de la guerra civil española a través de cierta mirada cinematográfica
publisher TELEMME - UMR 6570
series Amnis
issn 1764-7193
publishDate 2006-09-01
description The violence of a past event has obvious consequences on the formation of the subjectivity of the generations that come after the event itself. This article analyzes the subjective effects of the Spanish Civil War through two films: El mar (2000) by Agustí Villaronga and En la ciudad sin límites (2001) by Antonio Hernández. It will be shown that the past can be either cause of fascination or taken as a narration through which the subject intertwines past and present. We see that what is at stake is Jouissance versus Creation.
topic Europe
Spain
civil war
cinema
url http://journals.openedition.org/amnis/888
work_keys_str_mv AT martamarindomine suenosypesadillasefectossubjetivosdelaguerracivilespanolaatravesdeciertamiradacinematografica
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