A Flâneur for the 21st Century: DeLillo’s Cosmopolis
Walter Benjamin’s flâneur figure has been a constant presence in the literature of the city since the figure’s evocation in the poetry of Charles Baudelaire. However, while the figure has more or less remained the same, it is the space in which the figure exists that has changed. Rather than focusin...
Main Author: | Haydon Hughes |
---|---|
Format: | Article |
Language: | English |
Published: |
Ratnabali Publisher
2017-04-01
|
Series: | Sanglap: Journal of Literary and Cultural Inquiry |
Online Access: | http://sanglap-journal.in/index.php/sanglap/article/view/152 |
Similar Items
-
The ridiculous sublime in Don DeLillo's White Noise and Cosmopolis
by: Behrooz, Niloufar, et al.
Published: (2016) -
Paul Virilio’s dromology and the postmodern city in Don DeLillo’s Cosmopolis
by: Bahareh Bagherzadeh Samani, et al.
Published: (2018-01-01) -
The Ontological and Ethical Questions Concerning Technology in Don DeLillo’s Cosmopolis
by: Po-TingLu, et al.
Published: (2018) -
In the future, toward death: Finance capitalism and security in Don DeLillo’s ‘Cosmopolis’
by: Johannes Voelz
Published: (2018-05-01) -
Ideological Technology and Posthuman Conditions in Don DeLillo’s White Noise and Cosmopolis
by: Torell, Alexander
Published: (2018)