De l’appropriation des objets culturels à l’époque d’internet
When produced by the cultural industry, films and tv shows tend to only entertain, at least according to their academic reputation. But instead of consolidating this reputation or to break it, the essay is centered on technique and inspired by Bruno Latour’s symmetric anthropology. At this light, br...
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Société Française de Sciences de l’Information et de la Communication
2019-09-01
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| Series: | Revue Française des Sciences de l’Information et de la Communication |
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| Online Access: | http://journals.openedition.org/rfsic/6185 |
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doaj-b1ade015830642cdad849de399abe1082020-11-25T02:44:57ZfraSociété Française de Sciences de l’Information et de la CommunicationRevue Française des Sciences de l’Information et de la Communication2263-08562019-09-011710.4000/rfsic.6185De l’appropriation des objets culturels à l’époque d’internetLaurent JullierWhen produced by the cultural industry, films and tv shows tend to only entertain, at least according to their academic reputation. But instead of consolidating this reputation or to break it, the essay is centered on technique and inspired by Bruno Latour’s symmetric anthropology. At this light, broadcast culture proceedings are compared to grassroots culture habits. On one side, the industry must deal with a desire to economically control its manufactured items and a fear to see the spectators go away when the consequence of this control is an excessive standardisation. On the other side, spectators have got some agency (American Cultural Studies have described it at length) but this agency suffers from technical limits (less often described). The main example discussed in the essay is the way the Disney Company offers a variety of looks of The Lion King.http://journals.openedition.org/rfsic/6185cultural industryreception studiesagencytechnology |
| collection |
DOAJ |
| language |
fra |
| format |
Article |
| sources |
DOAJ |
| author |
Laurent Jullier |
| spellingShingle |
Laurent Jullier De l’appropriation des objets culturels à l’époque d’internet Revue Française des Sciences de l’Information et de la Communication cultural industry reception studies agency technology |
| author_facet |
Laurent Jullier |
| author_sort |
Laurent Jullier |
| title |
De l’appropriation des objets culturels à l’époque d’internet |
| title_short |
De l’appropriation des objets culturels à l’époque d’internet |
| title_full |
De l’appropriation des objets culturels à l’époque d’internet |
| title_fullStr |
De l’appropriation des objets culturels à l’époque d’internet |
| title_full_unstemmed |
De l’appropriation des objets culturels à l’époque d’internet |
| title_sort |
de l’appropriation des objets culturels à l’époque d’internet |
| publisher |
Société Française de Sciences de l’Information et de la Communication |
| series |
Revue Française des Sciences de l’Information et de la Communication |
| issn |
2263-0856 |
| publishDate |
2019-09-01 |
| description |
When produced by the cultural industry, films and tv shows tend to only entertain, at least according to their academic reputation. But instead of consolidating this reputation or to break it, the essay is centered on technique and inspired by Bruno Latour’s symmetric anthropology. At this light, broadcast culture proceedings are compared to grassroots culture habits. On one side, the industry must deal with a desire to economically control its manufactured items and a fear to see the spectators go away when the consequence of this control is an excessive standardisation. On the other side, spectators have got some agency (American Cultural Studies have described it at length) but this agency suffers from technical limits (less often described). The main example discussed in the essay is the way the Disney Company offers a variety of looks of The Lion King. |
| topic |
cultural industry reception studies agency technology |
| url |
http://journals.openedition.org/rfsic/6185 |
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AT laurentjullier delappropriationdesobjetsculturelsalepoquedinternet |
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