Os cem olhos do pavão

The peacock is considered one of the most beautiful animals in nature. This beauty, concerning the imaginary, becomes a key element in the narratives and arts that associate the peacock with the Hindu and Buddhist deities, but also with the pride and the vanity. This article tries to show how the sy...

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Main Author: Marcelo Amato Cardoso
Format: Article
Language:deu
Published: Instituto de Estudos Medievais 2021-01-01
Series:Medievalista
Subjects:
Online Access:http://journals.openedition.org/medievalista/3908
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spelling doaj-b1de7ca4d56244f2b3a406fae15a0d4e2021-01-04T08:04:34ZdeuInstituto de Estudos MedievaisMedievalista1646-740X2021-01-0124327510.4000/medievalista.3908Os cem olhos do pavãoMarcelo Amato CardosoThe peacock is considered one of the most beautiful animals in nature. This beauty, concerning the imaginary, becomes a key element in the narratives and arts that associate the peacock with the Hindu and Buddhist deities, but also with the pride and the vanity. This article tries to show how the symbolism of the peacock was transmitted and adapted from Ancient India to Medieval Europe, where the bird figured in the Christian creativity as an emblem of the immortality of Christ and the preachers of the Church, along with hagiographical narratives and biblical images.http://journals.openedition.org/medievalista/3908BestiarySymbolismPeacockMiddle AgesImaginary
collection DOAJ
language deu
format Article
sources DOAJ
author Marcelo Amato Cardoso
spellingShingle Marcelo Amato Cardoso
Os cem olhos do pavão
Medievalista
Bestiary
Symbolism
Peacock
Middle Ages
Imaginary
author_facet Marcelo Amato Cardoso
author_sort Marcelo Amato Cardoso
title Os cem olhos do pavão
title_short Os cem olhos do pavão
title_full Os cem olhos do pavão
title_fullStr Os cem olhos do pavão
title_full_unstemmed Os cem olhos do pavão
title_sort os cem olhos do pavão
publisher Instituto de Estudos Medievais
series Medievalista
issn 1646-740X
publishDate 2021-01-01
description The peacock is considered one of the most beautiful animals in nature. This beauty, concerning the imaginary, becomes a key element in the narratives and arts that associate the peacock with the Hindu and Buddhist deities, but also with the pride and the vanity. This article tries to show how the symbolism of the peacock was transmitted and adapted from Ancient India to Medieval Europe, where the bird figured in the Christian creativity as an emblem of the immortality of Christ and the preachers of the Church, along with hagiographical narratives and biblical images.
topic Bestiary
Symbolism
Peacock
Middle Ages
Imaginary
url http://journals.openedition.org/medievalista/3908
work_keys_str_mv AT marceloamatocardoso oscemolhosdopavao
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