Time Category in Novel “Corinna, or Italy” by Germaine de Staël

The article continues a series of articles devoted to the novel “Corinna, or Italy” by Germaine de Staël, French writer of the 19th century. The article analyzes the system of modelling, typologization and functioning of time plans in the text of the work. The plot-forming and sense-forming function...

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Main Author: T. V. Nuzhnaya
Format: Article
Language:Russian
Published: Tsentr nauchnykh i obrazovatelnykh proektov 2018-02-01
Series:Научный диалог
Subjects:
Online Access:https://www.nauka-dialog.ru/jour/article/view/721
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spelling doaj-b2333ba2b90848feb0928306dd0998582021-09-30T08:36:33ZrusTsentr nauchnykh i obrazovatelnykh proektovНаучный диалог2225-756X2227-12952018-02-010218619610.24224/2227-1295-2018-2-186-196717Time Category in Novel “Corinna, or Italy” by Germaine de StaëlT. V. Nuzhnaya0Russian State Hydrometeorological UniversityThe article continues a series of articles devoted to the novel “Corinna, or Italy” by Germaine de Staël, French writer of the 19th century. The article analyzes the system of modelling, typologization and functioning of time plans in the text of the work. The plot-forming and sense-forming functions of time are distinguished. The author of the article also points to the use of perceptual type of temporary construction of the text associated with the subjective author’s narrating. It is argued that this feature of the presentation deepens psychologism and enhances the moral and ethical problems of the novel. It is revealed that the category of time in the novel “Corinna,” in addition to purely rational, acquires additional symbolic significance. The author of the article believes that G. de Staël turns this or that historical time into some additional sign of the event. It is emphasized that the individual author’s symbolism is created in the novel by addressing the ancient history of Italy. It is noted that G. de Staël, without abandoning the traditional methods, also realizes her poetic findings. The author proves that the principles of temporal construction of the novel text evolve in accordance with the writer’s search for new forms.https://www.nauka-dialog.ru/jour/article/view/721french literatureearly french romanticismg. de staëltime category
collection DOAJ
language Russian
format Article
sources DOAJ
author T. V. Nuzhnaya
spellingShingle T. V. Nuzhnaya
Time Category in Novel “Corinna, or Italy” by Germaine de Staël
Научный диалог
french literature
early french romanticism
g. de staël
time category
author_facet T. V. Nuzhnaya
author_sort T. V. Nuzhnaya
title Time Category in Novel “Corinna, or Italy” by Germaine de Staël
title_short Time Category in Novel “Corinna, or Italy” by Germaine de Staël
title_full Time Category in Novel “Corinna, or Italy” by Germaine de Staël
title_fullStr Time Category in Novel “Corinna, or Italy” by Germaine de Staël
title_full_unstemmed Time Category in Novel “Corinna, or Italy” by Germaine de Staël
title_sort time category in novel “corinna, or italy” by germaine de staël
publisher Tsentr nauchnykh i obrazovatelnykh proektov
series Научный диалог
issn 2225-756X
2227-1295
publishDate 2018-02-01
description The article continues a series of articles devoted to the novel “Corinna, or Italy” by Germaine de Staël, French writer of the 19th century. The article analyzes the system of modelling, typologization and functioning of time plans in the text of the work. The plot-forming and sense-forming functions of time are distinguished. The author of the article also points to the use of perceptual type of temporary construction of the text associated with the subjective author’s narrating. It is argued that this feature of the presentation deepens psychologism and enhances the moral and ethical problems of the novel. It is revealed that the category of time in the novel “Corinna,” in addition to purely rational, acquires additional symbolic significance. The author of the article believes that G. de Staël turns this or that historical time into some additional sign of the event. It is emphasized that the individual author’s symbolism is created in the novel by addressing the ancient history of Italy. It is noted that G. de Staël, without abandoning the traditional methods, also realizes her poetic findings. The author proves that the principles of temporal construction of the novel text evolve in accordance with the writer’s search for new forms.
topic french literature
early french romanticism
g. de staël
time category
url https://www.nauka-dialog.ru/jour/article/view/721
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