REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY

REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY

This article analyzes the genre and stylistic specifics of piano works written by V. Rebikov — an outstanding representative of Russian musical modernism of the early twentieth century. A variety of genres he turned to in his work (musical theater, instrumental and choral music) are best correlated...

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Main Author: MURAVSKAIA OLGA
Format: Article
Language:deu
Published: Notograf Prim 2015-06-01
Series:Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
Subjects:
piano works
V. Rebikov
Russian modernism
symbolism
expressionism
Online Access:http://revista.amtap.md/wp-content/files_mf/151083601326omuravskaia_FortepiannoenasledieV.RebikovavkontekstetraditsiyrusskoymuzyikalnoykulturyinachalaXXveka.pdf
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spelling doaj-b2594c0f68904554b99c42b7eac31ca02020-11-25T00:09:15ZdeuNotograf PrimStudiul Artelor şi Culturologie: Istorie, Teorie, Practică2345-14082345-18312015-06-012(25)179186REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURYMURAVSKAIA OLGA0Odessa National A. V. Nezhdanova Academy of MusicThis article analyzes the genre and stylistic specifics of piano works written by V. Rebikov — an outstanding representative of Russian musical modernism of the early twentieth century. A variety of genres he turned to in his work (musical theater, instrumental and choral music) are best correlated with symbolism, which at that time also experienced a period of prosperity. At the same time, there is an obvious connection between the works signed by V. Rebikov and the traditions of impressionism and expressionism, which is especially evident in his „psychographic dramas” („The Abyss”, „Alpha and Omega”, etc.). Propensity to miniaturism at different genre levels, to the utmost simplicity of texture, most fully manifested in his piano opuses, declared by the composer himself in its motto „A Lot in the Little!”, аlso gave musicologist V.A. Loginova the reason to call V. Rebikov „the first „primitivist”, „minimalist” composer”.http://revista.amtap.md/wp-content/files_mf/151083601326omuravskaia_FortepiannoenasledieV.RebikovavkontekstetraditsiyrusskoymuzyikalnoykulturyinachalaXXveka.pdfpiano worksV. RebikovRussian modernismsymbolismexpressionism
collection DOAJ
language deu
format Article
sources DOAJ
author MURAVSKAIA OLGA
spellingShingle MURAVSKAIA OLGA
REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY
Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
piano works
V. Rebikov
Russian modernism
symbolism
expressionism
author_facet MURAVSKAIA OLGA
author_sort MURAVSKAIA OLGA
title REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY
title_short REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY
title_full REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY
title_fullStr REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY
title_full_unstemmed REBIKOV’S PIANO HERITAGE IN THE CONTEXT OF THE TRADITIONS OF THE RUSSIAN CULTURE OF THE EARLY TWENTIETH CENTURY
title_sort rebikov’s piano heritage in the context of the traditions of the russian culture of the early twentieth century
publisher Notograf Prim
series Studiul Artelor şi Culturologie: Istorie, Teorie, Practică
issn 2345-1408
2345-1831
publishDate 2015-06-01
description This article analyzes the genre and stylistic specifics of piano works written by V. Rebikov — an outstanding representative of Russian musical modernism of the early twentieth century. A variety of genres he turned to in his work (musical theater, instrumental and choral music) are best correlated with symbolism, which at that time also experienced a period of prosperity. At the same time, there is an obvious connection between the works signed by V. Rebikov and the traditions of impressionism and expressionism, which is especially evident in his „psychographic dramas” („The Abyss”, „Alpha and Omega”, etc.). Propensity to miniaturism at different genre levels, to the utmost simplicity of texture, most fully manifested in his piano opuses, declared by the composer himself in its motto „A Lot in the Little!”, аlso gave musicologist V.A. Loginova the reason to call V. Rebikov „the first „primitivist”, „minimalist” composer”.
topic piano works
V. Rebikov
Russian modernism
symbolism
expressionism
url http://revista.amtap.md/wp-content/files_mf/151083601326omuravskaia_FortepiannoenasledieV.RebikovavkontekstetraditsiyrusskoymuzyikalnoykulturyinachalaXXveka.pdf
work_keys_str_mv AT muravskaiaolga rebikovspianoheritageinthecontextofthetraditionsoftherussiancultureoftheearlytwentiethcentury
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