Roland Barthes : pour une écologie de l'écriture

Roland Barthes: For an Ecology of Writing  Abstract   Even if the theoretical prestige of the notion of ecology is recent, an ecological writing has already been racticed, without receiving this name, by Roland Barthes. On several occasions, progressively after Writing Degree zero (1953), Roland B...

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Main Author: Alexandru Matei
Format: Article
Language:deu
Published: Axia Academic Publishers 2021-02-01
Series:Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics
Subjects:
Online Access:http://www.axiapublishers.com/ojs/index.php/labyrinth/article/view/241
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spelling doaj-b45b1d1926ad470395e979ec7ba25baf2021-04-02T18:28:57ZdeuAxia Academic PublishersLabyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics2410-48171561-89272021-02-0122212513810.25180/lj.v22i2.241148Roland Barthes : pour une écologie de l'écritureAlexandru MateiRoland Barthes: For an Ecology of Writing  Abstract   Even if the theoretical prestige of the notion of ecology is recent, an ecological writing has already been racticed, without receiving this name, by Roland Barthes. On several occasions, progressively after Writing Degree zero (1953), Roland Barthes envisaged writing as a multifaceted practice, the most suitable for overturning the only order worth to be revolutionized, the symbolic order. We will take a fresh look at Barthes' writing as a theoretical concept in the early 1950s, along a shift that takes the term first to the name of a technique. Finally, in the mid-1970s, writing comes to be defined by Barthes as a practice that ignores the dichotomy between matter or body and mind or idea, and which arrives, in a spiral return movement, at an inclusive conception that recovers both the concept and the practice. This is where writing meets, in Barthes' work, the act that Latour calls "greening" and which he defines above all as a new relationship between facts and values.  In the light of the latest research in "Barthesian studies" we would like to show that the future of "theory", if it is ecology today, lies in the practice and ecological commitment of writing, as a mediator of meaning, a tool of "charitable fiction", at the confines of spirit and matter.http://www.axiapublishers.com/ojs/index.php/labyrinth/article/view/241roland barthes, bruno latour, writing, ecology, modernity, fiction
collection DOAJ
language deu
format Article
sources DOAJ
author Alexandru Matei
spellingShingle Alexandru Matei
Roland Barthes : pour une écologie de l'écriture
Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics
roland barthes, bruno latour, writing, ecology, modernity, fiction
author_facet Alexandru Matei
author_sort Alexandru Matei
title Roland Barthes : pour une écologie de l'écriture
title_short Roland Barthes : pour une écologie de l'écriture
title_full Roland Barthes : pour une écologie de l'écriture
title_fullStr Roland Barthes : pour une écologie de l'écriture
title_full_unstemmed Roland Barthes : pour une écologie de l'écriture
title_sort roland barthes : pour une écologie de l'écriture
publisher Axia Academic Publishers
series Labyrinth: An International Journal for Philosophy, Value Theory and Sociocultural Hermeneutics
issn 2410-4817
1561-8927
publishDate 2021-02-01
description Roland Barthes: For an Ecology of Writing  Abstract   Even if the theoretical prestige of the notion of ecology is recent, an ecological writing has already been racticed, without receiving this name, by Roland Barthes. On several occasions, progressively after Writing Degree zero (1953), Roland Barthes envisaged writing as a multifaceted practice, the most suitable for overturning the only order worth to be revolutionized, the symbolic order. We will take a fresh look at Barthes' writing as a theoretical concept in the early 1950s, along a shift that takes the term first to the name of a technique. Finally, in the mid-1970s, writing comes to be defined by Barthes as a practice that ignores the dichotomy between matter or body and mind or idea, and which arrives, in a spiral return movement, at an inclusive conception that recovers both the concept and the practice. This is where writing meets, in Barthes' work, the act that Latour calls "greening" and which he defines above all as a new relationship between facts and values.  In the light of the latest research in "Barthesian studies" we would like to show that the future of "theory", if it is ecology today, lies in the practice and ecological commitment of writing, as a mediator of meaning, a tool of "charitable fiction", at the confines of spirit and matter.
topic roland barthes, bruno latour, writing, ecology, modernity, fiction
url http://www.axiapublishers.com/ojs/index.php/labyrinth/article/view/241
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