‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’

From the 1950s to the 1970s, two sets of scholars – Tom and Joan Flett, and George Emmerson – gleaned many English-language sources to recover aspects of the history of dance in Scotland. They correctly pointed out the pervasive influence of French court culture and the French-trained dancing master...

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Bibliographic Details
Main Author: Michael Steven Newton
Format: Article
Language:English
Published: Scottish Studies Foundation 2013-10-01
Series:International Review of Scottish Studies
Online Access:https://www.irss.uoguelph.ca/index.php/irss/article/view/2319
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spelling doaj-b515bff5fb6e4533addfc85cb15d39532020-11-25T02:47:42ZengScottish Studies FoundationInternational Review of Scottish Studies1923-57551923-57632013-10-013810.21083/irss.v38i0.23191514‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’Michael Steven Newton0St Francis Xavier UniversityFrom the 1950s to the 1970s, two sets of scholars – Tom and Joan Flett, and George Emmerson – gleaned many English-language sources to recover aspects of the history of dance in Scotland. They correctly pointed out the pervasive influence of French court culture and the French-trained dancing masters on Scottish forms of dance, including in the Highlands, but did not examine the majority of potential Gaelic sources in their work. This article examines Scottish Gaelic sources referring to dance practices in the Scottish Highlands from the late-seventeenth century to the end of the eighteenth century, placing them within the context of wider European developments in music and dance and confirming that they demonstrate a consciousness of the strong connections with France and corresponding effects on Gaelic dance traditions.https://www.irss.uoguelph.ca/index.php/irss/article/view/2319
collection DOAJ
language English
format Article
sources DOAJ
author Michael Steven Newton
spellingShingle Michael Steven Newton
‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’
International Review of Scottish Studies
author_facet Michael Steven Newton
author_sort Michael Steven Newton
title ‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’
title_short ‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’
title_full ‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’
title_fullStr ‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’
title_full_unstemmed ‘ “Dannsair air ùrlar-déile thu”: Gaelic evidence about dance from the mid-17th to late-18th century Highlands’
title_sort ‘ “dannsair air ùrlar-déile thu”: gaelic evidence about dance from the mid-17th to late-18th century highlands’
publisher Scottish Studies Foundation
series International Review of Scottish Studies
issn 1923-5755
1923-5763
publishDate 2013-10-01
description From the 1950s to the 1970s, two sets of scholars – Tom and Joan Flett, and George Emmerson – gleaned many English-language sources to recover aspects of the history of dance in Scotland. They correctly pointed out the pervasive influence of French court culture and the French-trained dancing masters on Scottish forms of dance, including in the Highlands, but did not examine the majority of potential Gaelic sources in their work. This article examines Scottish Gaelic sources referring to dance practices in the Scottish Highlands from the late-seventeenth century to the end of the eighteenth century, placing them within the context of wider European developments in music and dance and confirming that they demonstrate a consciousness of the strong connections with France and corresponding effects on Gaelic dance traditions.
url https://www.irss.uoguelph.ca/index.php/irss/article/view/2319
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