Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century

<p>The present article discusses the presence of music in the theaters of Madrid during the second half of the Eighteenth Century. We presuppose that music was used in theatrical performances, in <em>sainetes</em> (and other pieces of interstitial theater) or in comedies, as orname...

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Main Author: Adela PRESAS
Format: Article
Language:Spanish
Published: Universidad de Salamanca 2016-06-01
Series:Cuadernos Dieciochistas
Subjects:
Online Access:http://revistas.usal.es/index.php/1576-7914/article/view/14738
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spelling doaj-b5cb017ed96a41509fa6c649a393f5282020-11-25T02:21:31ZspaUniversidad de SalamancaCuadernos Dieciochistas1576-79142341-19022016-06-011609112310.14201/cuadieci2015169112313321Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th CenturyAdela PRESAS0Universidad Autónoma de Madrid<p>The present article discusses the presence of music in the theaters of Madrid during the second half of the Eighteenth Century. We presuppose that music was used in theatrical performances, in <em>sainetes</em> (and other pieces of interstitial theater) or in comedies, as ornamentation or as the main part of the work. Our aim is to study the global outlook of the theater and the role that music had in it and to understand how important it is and its role in the dramatic work and in the theater sessions. In this case, thanks to the analysis of billboard, to the extant materials of the <em>Biblioteca Histórica de Madrid</em> and to the <em>Diario de Madrid</em>, it has been possible to draft a first general approximation of the real and temporal presence of certain dramatical-musical genres and the use of music in the declaimed genres. Our study shows that there is no clear difference between the use of music in different dramatical typologies.</p><div> </div>http://revistas.usal.es/index.php/1576-7914/article/view/14738teatro musicalóperazarzuelacomediamadridsiglo xviii
collection DOAJ
language Spanish
format Article
sources DOAJ
author Adela PRESAS
spellingShingle Adela PRESAS
Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century
Cuadernos Dieciochistas
teatro musical
ópera
zarzuela
comedia
madrid
siglo xviii
author_facet Adela PRESAS
author_sort Adela PRESAS
title Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century
title_short Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century
title_full Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century
title_fullStr Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century
title_full_unstemmed Not just Opera. Generative Interactions in the Madrid Musical Theatre Scene in the Second Half of the 18th Century
title_sort not just opera. generative interactions in the madrid musical theatre scene in the second half of the 18th century
publisher Universidad de Salamanca
series Cuadernos Dieciochistas
issn 1576-7914
2341-1902
publishDate 2016-06-01
description <p>The present article discusses the presence of music in the theaters of Madrid during the second half of the Eighteenth Century. We presuppose that music was used in theatrical performances, in <em>sainetes</em> (and other pieces of interstitial theater) or in comedies, as ornamentation or as the main part of the work. Our aim is to study the global outlook of the theater and the role that music had in it and to understand how important it is and its role in the dramatic work and in the theater sessions. In this case, thanks to the analysis of billboard, to the extant materials of the <em>Biblioteca Histórica de Madrid</em> and to the <em>Diario de Madrid</em>, it has been possible to draft a first general approximation of the real and temporal presence of certain dramatical-musical genres and the use of music in the declaimed genres. Our study shows that there is no clear difference between the use of music in different dramatical typologies.</p><div> </div>
topic teatro musical
ópera
zarzuela
comedia
madrid
siglo xviii
url http://revistas.usal.es/index.php/1576-7914/article/view/14738
work_keys_str_mv AT adelapresas notjustoperagenerativeinteractionsinthemadridmusicaltheatresceneinthesecondhalfofthe18thcentury
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