Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and Tezuka

Pollution, this article suggests, challenges the fundamental structural premises of contemporary state institutions such as the law. These institutions are based on the premise of human exceptionalism via the construction of a human-nature divide. This divide only allows one point of connection betw...

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Main Author: Sonja Schillings
Format: Article
Language:English
Published: Queensland University of Technology 2020-11-01
Series:Law, Technology and Humans
Subjects:
Online Access:https://lthj.qut.edu.au/article/view/1641
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spelling doaj-b6d05902ef2c425a840e429bbe8197fe2021-06-02T15:47:10ZengQueensland University of TechnologyLaw, Technology and Humans2652-40742020-11-012212013210.5204/lthj.16411641Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and TezukaSonja Schillings0Independent ResearcherPollution, this article suggests, challenges the fundamental structural premises of contemporary state institutions such as the law. These institutions are based on the premise of human exceptionalism via the construction of a human-nature divide. This divide only allows one point of connection between human and nature: the human ability to absorb nature as property. Such metaphorical understandings of absorption become a problem as soon as the physical human body is faced with a situation in which we constantly absorb pollution (e.g. nitrogen oxides, microplastic, ionizing radiation, but also other life forms such as airborne viruses). As a result, contemporary institutions are ill-equipped to deal with pollution as a central element of the contemporary human condition. This article suggests that comics are a model for rethinking these categorical issues productively and sustainably. By using visual elements, comics have already been able to reframe and recontextualize categorical premises such as the human-nature divide that otherwise tend to be reproduced in critical theory and the law. To make this point for the potential of a new categorical language that centrally draws on visual elements in text, the article uses two central examples from Japan and Germany: Osamu Tezuka's story "Space Snow Leopard" from the Astro Boy series, and Chlodwig Poth's short comic "Jörg the Limelight Hog."https://lthj.qut.edu.au/article/view/1641pollutionhuman-nature divideosamu tezukachlodwig pothhuman dignityproperty
collection DOAJ
language English
format Article
sources DOAJ
author Sonja Schillings
spellingShingle Sonja Schillings
Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and Tezuka
Law, Technology and Humans
pollution
human-nature divide
osamu tezuka
chlodwig poth
human dignity
property
author_facet Sonja Schillings
author_sort Sonja Schillings
title Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and Tezuka
title_short Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and Tezuka
title_full Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and Tezuka
title_fullStr Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and Tezuka
title_full_unstemmed Pollution as a Paradigm: Property, Dignity, and Absorption in Poth and Tezuka
title_sort pollution as a paradigm: property, dignity, and absorption in poth and tezuka
publisher Queensland University of Technology
series Law, Technology and Humans
issn 2652-4074
publishDate 2020-11-01
description Pollution, this article suggests, challenges the fundamental structural premises of contemporary state institutions such as the law. These institutions are based on the premise of human exceptionalism via the construction of a human-nature divide. This divide only allows one point of connection between human and nature: the human ability to absorb nature as property. Such metaphorical understandings of absorption become a problem as soon as the physical human body is faced with a situation in which we constantly absorb pollution (e.g. nitrogen oxides, microplastic, ionizing radiation, but also other life forms such as airborne viruses). As a result, contemporary institutions are ill-equipped to deal with pollution as a central element of the contemporary human condition. This article suggests that comics are a model for rethinking these categorical issues productively and sustainably. By using visual elements, comics have already been able to reframe and recontextualize categorical premises such as the human-nature divide that otherwise tend to be reproduced in critical theory and the law. To make this point for the potential of a new categorical language that centrally draws on visual elements in text, the article uses two central examples from Japan and Germany: Osamu Tezuka's story "Space Snow Leopard" from the Astro Boy series, and Chlodwig Poth's short comic "Jörg the Limelight Hog."
topic pollution
human-nature divide
osamu tezuka
chlodwig poth
human dignity
property
url https://lthj.qut.edu.au/article/view/1641
work_keys_str_mv AT sonjaschillings pollutionasaparadigmpropertydignityandabsorptioninpothandtezuka
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