The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies

In the 1930s a generation of Italian writers and intellectuals looked towards the North American culture to escape from the hardship of the Fascist officiality. Cesare Pavese was a main character of this stage, through several translations (Melville, Fawlkner, among others) and essays on American li...

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Bibliographic Details
Main Author:	Leonardo Vilei
Format:	Article
Language:	English
Published:	Universidad Complutense de Madrid 2012-02-01
Series:	Cuadernos de Filología Italiana
Subjects:	Pavese literatura americana fascismo Pivano cantautores De André.
Online Access:	http://revistas.ucm.es/index.php/CFIT/article/view/37521

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spelling	doaj-b6e7f9f357b54d8e8cb5cf07a7ed249c2020-11-25T02:10:27ZengUniversidad Complutense de MadridCuadernos de Filología Italiana1133-95271988-23942012-02-010036937510.5209/rev_CFIT.2011.3752137381The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventiesLeonardo Vilei0Universidad Nacional de Educación DistanciaIn the 1930s a generation of Italian writers and intellectuals looked towards the North American culture to escape from the hardship of the Fascist officiality. Cesare Pavese was a main character of this stage, through several translations (Melville, Fawlkner, among others) and essays on American literature. A young Fernanda Pivano, through her friendship with Pavese, continued this work, maintaining alive in Italy the encounter with the American culture, both in literature and in popular music. Her influence can be detected in the music of many songwriter, as Fabrizio De André.http://revistas.ucm.es/index.php/CFIT/article/view/37521Paveseliteratura americanafascismoPivanocantautoresDe André.
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Leonardo Vilei
spellingShingle	Leonardo Vilei The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies Cuadernos de Filología Italiana Pavese literatura americana fascismo Pivano cantautores De André.
author_facet	Leonardo Vilei
author_sort	Leonardo Vilei
title	The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies
title_short	The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies
title_full	The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies
title_fullStr	The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies
title_full_unstemmed	The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies
title_sort	american myth in the work of cesare pavese and his inheritance in the italian song of the seventies
publisher	Universidad Complutense de Madrid
series	Cuadernos de Filología Italiana
issn	1133-9527 1988-2394
publishDate	2012-02-01
description	In the 1930s a generation of Italian writers and intellectuals looked towards the North American culture to escape from the hardship of the Fascist officiality. Cesare Pavese was a main character of this stage, through several translations (Melville, Fawlkner, among others) and essays on American literature. A young Fernanda Pivano, through her friendship with Pavese, continued this work, maintaining alive in Italy the encounter with the American culture, both in literature and in popular music. Her influence can be detected in the music of many songwriter, as Fabrizio De André.
topic	Pavese literatura americana fascismo Pivano cantautores De André.
url	http://revistas.ucm.es/index.php/CFIT/article/view/37521
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The american myth in the work of Cesare Pavese and his inheritance in the Italian song of the seventies

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