For a Theatrical Genetics: assumptions and challenges
Is it possible to apply to theatre the genetic method, known and used in the field of literature? A theatrical work is a heterogeneous set of textual and scenic data, an ephemeral and fleeting entity, because every staging – but also every presentation – necessarily produces new modifications: text...
| Main Authors: | , , |
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| Format: | Article |
| Language: | English |
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Universidade Federal do Rio Grande do Sul
2013-07-01
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| Series: | Revista Brasileira de Estudos da Presença |
| Subjects: | |
| Online Access: | http://seer.ufrgs.br/presenca/article/view/36374/26124 |
| Summary: | Is it possible to apply to theatre the genetic method, known and used in the field of literature? A theatrical work is a heterogeneous set of textual and scenic data, an ephemeral and fleeting entity, because every staging – but also every presentation – necessarily produces new modifications: text cuts; variations in body movements; different voice timbres; lighting; the pace of the event, etc. In these conditions, how is it possible to retrace the genesis of the work, among objects of several kinds and with multiple finishes? |
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| ISSN: | 2237-2660 |