For a Theatrical Genetics: assumptions and challenges

Is it possible to apply to theatre the genetic method, known and used in the field of literature? A theatrical work is a heterogeneous set of textual and scenic data, an ephemeral and fleeting entity, because every staging – but also every presentation – necessarily produces new modifications: text...

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Bibliographic Details
Main Authors:	Almuth Grésillon, Marie-Madeleine Mervant-Roux, Dominique Budor
Format:	Article
Language:	English
Published:	Universidade Federal do Rio Grande do Sul 2013-07-01
Series:	Revista Brasileira de Estudos da Presença
Subjects:	Theatrical Genetics Theatre Text Performance Unfinishedness
Online Access:	http://seer.ufrgs.br/presenca/article/view/36374/26124

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spelling	doaj-b819d8e015814eabac4c7d66f4a1cea32020-11-24T22:51:16ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602013-07-0132379403For a Theatrical Genetics: assumptions and challengesAlmuth GrésillonMarie-Madeleine Mervant-RouxDominique BudorIs it possible to apply to theatre the genetic method, known and used in the field of literature? A theatrical work is a heterogeneous set of textual and scenic data, an ephemeral and fleeting entity, because every staging – but also every presentation – necessarily produces new modifications: text cuts; variations in body movements; different voice timbres; lighting; the pace of the event, etc. In these conditions, how is it possible to retrace the genesis of the work, among objects of several kinds and with multiple finishes?http://seer.ufrgs.br/presenca/article/view/36374/26124Theatrical GeneticsTheatreTextPerformanceUnfinishedness
collection	DOAJ
language	English
format	Article
sources	DOAJ
author	Almuth Grésillon Marie-Madeleine Mervant-Roux Dominique Budor
spellingShingle	Almuth Grésillon Marie-Madeleine Mervant-Roux Dominique Budor For a Theatrical Genetics: assumptions and challenges Revista Brasileira de Estudos da Presença Theatrical Genetics Theatre Text Performance Unfinishedness
author_facet	Almuth Grésillon Marie-Madeleine Mervant-Roux Dominique Budor
author_sort	Almuth Grésillon
title	For a Theatrical Genetics: assumptions and challenges
title_short	For a Theatrical Genetics: assumptions and challenges
title_full	For a Theatrical Genetics: assumptions and challenges
title_fullStr	For a Theatrical Genetics: assumptions and challenges
title_full_unstemmed	For a Theatrical Genetics: assumptions and challenges
title_sort	for a theatrical genetics: assumptions and challenges
publisher	Universidade Federal do Rio Grande do Sul
series	Revista Brasileira de Estudos da Presença
issn	2237-2660
publishDate	2013-07-01
description	Is it possible to apply to theatre the genetic method, known and used in the field of literature? A theatrical work is a heterogeneous set of textual and scenic data, an ephemeral and fleeting entity, because every staging – but also every presentation – necessarily produces new modifications: text cuts; variations in body movements; different voice timbres; lighting; the pace of the event, etc. In these conditions, how is it possible to retrace the genesis of the work, among objects of several kinds and with multiple finishes?
topic	Theatrical Genetics Theatre Text Performance Unfinishedness
url	http://seer.ufrgs.br/presenca/article/view/36374/26124
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For a Theatrical Genetics: assumptions and challenges

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