How Movies Think: Cavell on Film as a Medium of Art

Stanley Cavell’s writing about movies, from the more theoretical and general 'The World Viewed' (1971) to the later works on specific genres ('Pursuits of Happiness, Contesting Tears'), has a unifying theme: some movies as (successful) art investigate conditions of accomplished s...

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Main Author: Richard Eldridge
Format: Article
Language:English
Published: Helsinki University Press 2014-05-01
Series:Estetika
Online Access:https://estetikajournal.org/articles/113
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spelling doaj-bb0d3483877b47198ef43f24952adb022020-11-25T03:52:43ZengHelsinki University PressEstetika 2571-09152014-05-0151132010.33134/eeja.113103How Movies Think: Cavell on Film as a Medium of ArtRichard Eldridge0Department of Philosophy, Swarthmore College, 500 College Avenue, Swarthmore, PA 19081Stanley Cavell’s writing about movies, from the more theoretical and general 'The World Viewed' (1971) to the later works on specific genres ('Pursuits of Happiness, Contesting Tears'), has a unifying theme: some movies as (successful) art investigate conditions of accomplished selfhood and interest in experience in medium-specific ways. This claim is explained and defended by explicating the details of the medium-specificity of the moving photographic image (and its history of uses) and by focusing on Michael Verhoeven’s film 'The Nasty Girl' (1990). Though the very ideas of accomplished selfhood and interest in experience naturally prompt some suspicion in a commercialized, pluralistic society, our responses to some movies show that we continue to aspire to a life that embodies them.https://estetikajournal.org/articles/113
collection DOAJ
language English
format Article
sources DOAJ
author Richard Eldridge
spellingShingle Richard Eldridge
How Movies Think: Cavell on Film as a Medium of Art
Estetika
author_facet Richard Eldridge
author_sort Richard Eldridge
title How Movies Think: Cavell on Film as a Medium of Art
title_short How Movies Think: Cavell on Film as a Medium of Art
title_full How Movies Think: Cavell on Film as a Medium of Art
title_fullStr How Movies Think: Cavell on Film as a Medium of Art
title_full_unstemmed How Movies Think: Cavell on Film as a Medium of Art
title_sort how movies think: cavell on film as a medium of art
publisher Helsinki University Press
series Estetika
issn 2571-0915
publishDate 2014-05-01
description Stanley Cavell’s writing about movies, from the more theoretical and general 'The World Viewed' (1971) to the later works on specific genres ('Pursuits of Happiness, Contesting Tears'), has a unifying theme: some movies as (successful) art investigate conditions of accomplished selfhood and interest in experience in medium-specific ways. This claim is explained and defended by explicating the details of the medium-specificity of the moving photographic image (and its history of uses) and by focusing on Michael Verhoeven’s film 'The Nasty Girl' (1990). Though the very ideas of accomplished selfhood and interest in experience naturally prompt some suspicion in a commercialized, pluralistic society, our responses to some movies show that we continue to aspire to a life that embodies them.
url https://estetikajournal.org/articles/113
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