L’épisode « San Junipero » de Black Mirror : les miroitements du post-humain

The third industrial revolution is currently triggering a redefinition of human identity through evolutions in biotechnologies and screen culture. Television series, especially shows dealing with speculative fiction, reflect the potential evolution and mutation of humanity towards various forms of h...

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Main Author: Hélène Machinal
Format: Article
Language:English
Published: Groupe de Recherche Identités et Cultures 2018-12-01
Series:TV Series
Subjects:
Online Access:http://journals.openedition.org/tvseries/3169
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spelling doaj-bb1261eb5de246cfb5a0cc9d444f13062020-11-24T23:57:54ZengGroupe de Recherche Identités et CulturesTV Series 2266-09092018-12-011410.4000/tvseries.3169L’épisode « San Junipero » de Black Mirror : les miroitements du post-humainHélène MachinalThe third industrial revolution is currently triggering a redefinition of human identity through evolutions in biotechnologies and screen culture. Television series, especially shows dealing with speculative fiction, reflect the potential evolution and mutation of humanity towards various forms of hybridization, among which the new perspectives opened by the posthuman. This article will focus on “San Junipero”, episode S03E04 of the anthology series Black Mirror (Charlie Brooker, Channel 4, Netflix, 2011-), which it will read as a synecdoche for the entire show. The latter indeed rests on a process of defamiliarization often triggered by a novum introduced in the episode – in “San Junipero”, the possibility of a virtual eternal life after death. The episode can be analysed as hybrid because it plays on the conventions of both science fiction and the fantastic. It is also highly metareflexive: the viewers play a central part, as the show confronts them virtually, through their screens, to their own posthuman desires: from augmented humanity and digital enhancement to the dystopian mass production of human beings. Through cognitive defamiliarization, the episode under study exemplifies a dialectics of alterity and identity, humanity and posthumanity, fiction and reality.http://journals.openedition.org/tvseries/3169Black Mirrordefamiliarizationhybridityinterfacemetafictionmise en abyme
collection DOAJ
language English
format Article
sources DOAJ
author Hélène Machinal
spellingShingle Hélène Machinal
L’épisode « San Junipero » de Black Mirror : les miroitements du post-humain
TV Series
Black Mirror
defamiliarization
hybridity
interface
metafiction
mise en abyme
author_facet Hélène Machinal
author_sort Hélène Machinal
title L’épisode « San Junipero » de Black Mirror : les miroitements du post-humain
title_short L’épisode « San Junipero » de Black Mirror : les miroitements du post-humain
title_full L’épisode « San Junipero » de Black Mirror : les miroitements du post-humain
title_fullStr L’épisode « San Junipero » de Black Mirror : les miroitements du post-humain
title_full_unstemmed L’épisode « San Junipero » de Black Mirror : les miroitements du post-humain
title_sort l’épisode « san junipero » de black mirror : les miroitements du post-humain
publisher Groupe de Recherche Identités et Cultures
series TV Series
issn 2266-0909
publishDate 2018-12-01
description The third industrial revolution is currently triggering a redefinition of human identity through evolutions in biotechnologies and screen culture. Television series, especially shows dealing with speculative fiction, reflect the potential evolution and mutation of humanity towards various forms of hybridization, among which the new perspectives opened by the posthuman. This article will focus on “San Junipero”, episode S03E04 of the anthology series Black Mirror (Charlie Brooker, Channel 4, Netflix, 2011-), which it will read as a synecdoche for the entire show. The latter indeed rests on a process of defamiliarization often triggered by a novum introduced in the episode – in “San Junipero”, the possibility of a virtual eternal life after death. The episode can be analysed as hybrid because it plays on the conventions of both science fiction and the fantastic. It is also highly metareflexive: the viewers play a central part, as the show confronts them virtually, through their screens, to their own posthuman desires: from augmented humanity and digital enhancement to the dystopian mass production of human beings. Through cognitive defamiliarization, the episode under study exemplifies a dialectics of alterity and identity, humanity and posthumanity, fiction and reality.
topic Black Mirror
defamiliarization
hybridity
interface
metafiction
mise en abyme
url http://journals.openedition.org/tvseries/3169
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