New insights for creative art processes. Collaboration and experimentation with contemporary artists

The artists’ idea of exploration in new creative fields frequently triggers the collaboration between artists and other professionals. Understanding the experimentation which comes from it is the art restorers and specialists’ main duty, as they are forced to establish new standards and increase the...

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Main Authors: Eva Fuentes Duran Mariana Fuentes Duran, Rita Lucía Amor Garcia, María Pilar Soriano Sancho
Format: Article
Language:English
Published: Grupo Español del IIC 2017-07-01
Series:Ge-conservación
Subjects:
Online Access:https://ge-iic.com/ojs/index.php/revista/article/view/502/788
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spelling doaj-bca5fb80c12b428ba26ce7fcffe4431e2020-11-25T03:04:28ZengGrupo Español del IICGe-conservación 1989-85682017-07-0111257263https://doi.org/10.37558/gec.v11i0.502New insights for creative art processes. Collaboration and experimentation with contemporary artistsEva Fuentes Duran Mariana Fuentes DuranRita Lucía Amor GarciaMaría Pilar Soriano Sancho0Polytechnic University of ValenciaThe artists’ idea of exploration in new creative fields frequently triggers the collaboration between artists and other professionals. Understanding the experimentation which comes from it is the art restorers and specialists’ main duty, as they are forced to establish new standards and increase their knowledge on the use of new materials. Consequently, the communication between artists and restorers is frequent nowadays in the form of interviews but also with practical collaborations. This paper tries to show how productive collaborations can be for artists during the creative process in terms of production and possibilities, and for restorers, because this would be the best way to learn about the art concept and its materiality, which will be helpful for the artwork’s future conservation.https://ge-iic.com/ojs/index.php/revista/article/view/502/788conservationconservationmaterial experimentationcreative processcollaborationcontemporary artists
collection DOAJ
language English
format Article
sources DOAJ
author Eva Fuentes Duran Mariana Fuentes Duran
Rita Lucía Amor Garcia
María Pilar Soriano Sancho
spellingShingle Eva Fuentes Duran Mariana Fuentes Duran
Rita Lucía Amor Garcia
María Pilar Soriano Sancho
New insights for creative art processes. Collaboration and experimentation with contemporary artists
Ge-conservación
conservation
conservation
material experimentation
creative process
collaboration
contemporary artists
author_facet Eva Fuentes Duran Mariana Fuentes Duran
Rita Lucía Amor Garcia
María Pilar Soriano Sancho
author_sort Eva Fuentes Duran Mariana Fuentes Duran
title New insights for creative art processes. Collaboration and experimentation with contemporary artists
title_short New insights for creative art processes. Collaboration and experimentation with contemporary artists
title_full New insights for creative art processes. Collaboration and experimentation with contemporary artists
title_fullStr New insights for creative art processes. Collaboration and experimentation with contemporary artists
title_full_unstemmed New insights for creative art processes. Collaboration and experimentation with contemporary artists
title_sort new insights for creative art processes. collaboration and experimentation with contemporary artists
publisher Grupo Español del IIC
series Ge-conservación
issn 1989-8568
publishDate 2017-07-01
description The artists’ idea of exploration in new creative fields frequently triggers the collaboration between artists and other professionals. Understanding the experimentation which comes from it is the art restorers and specialists’ main duty, as they are forced to establish new standards and increase their knowledge on the use of new materials. Consequently, the communication between artists and restorers is frequent nowadays in the form of interviews but also with practical collaborations. This paper tries to show how productive collaborations can be for artists during the creative process in terms of production and possibilities, and for restorers, because this would be the best way to learn about the art concept and its materiality, which will be helpful for the artwork’s future conservation.
topic conservation
conservation
material experimentation
creative process
collaboration
contemporary artists
url https://ge-iic.com/ojs/index.php/revista/article/view/502/788
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