New insights for creative art processes. Collaboration and experimentation with contemporary artists
The artists’ idea of exploration in new creative fields frequently triggers the collaboration between artists and other professionals. Understanding the experimentation which comes from it is the art restorers and specialists’ main duty, as they are forced to establish new standards and increase the...
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Grupo Español del IIC
2017-07-01
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Online Access: | https://ge-iic.com/ojs/index.php/revista/article/view/502/788 |
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doaj-bca5fb80c12b428ba26ce7fcffe4431e2020-11-25T03:04:28ZengGrupo Español del IICGe-conservación 1989-85682017-07-0111257263https://doi.org/10.37558/gec.v11i0.502New insights for creative art processes. Collaboration and experimentation with contemporary artistsEva Fuentes Duran Mariana Fuentes DuranRita Lucía Amor GarciaMaría Pilar Soriano Sancho0Polytechnic University of ValenciaThe artists’ idea of exploration in new creative fields frequently triggers the collaboration between artists and other professionals. Understanding the experimentation which comes from it is the art restorers and specialists’ main duty, as they are forced to establish new standards and increase their knowledge on the use of new materials. Consequently, the communication between artists and restorers is frequent nowadays in the form of interviews but also with practical collaborations. This paper tries to show how productive collaborations can be for artists during the creative process in terms of production and possibilities, and for restorers, because this would be the best way to learn about the art concept and its materiality, which will be helpful for the artwork’s future conservation.https://ge-iic.com/ojs/index.php/revista/article/view/502/788conservationconservationmaterial experimentationcreative processcollaborationcontemporary artists |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Eva Fuentes Duran Mariana Fuentes Duran Rita Lucía Amor Garcia María Pilar Soriano Sancho |
spellingShingle |
Eva Fuentes Duran Mariana Fuentes Duran Rita Lucía Amor Garcia María Pilar Soriano Sancho New insights for creative art processes. Collaboration and experimentation with contemporary artists Ge-conservación conservation conservation material experimentation creative process collaboration contemporary artists |
author_facet |
Eva Fuentes Duran Mariana Fuentes Duran Rita Lucía Amor Garcia María Pilar Soriano Sancho |
author_sort |
Eva Fuentes Duran Mariana Fuentes Duran |
title |
New insights for creative art processes. Collaboration and experimentation with contemporary artists |
title_short |
New insights for creative art processes. Collaboration and experimentation with contemporary artists |
title_full |
New insights for creative art processes. Collaboration and experimentation with contemporary artists |
title_fullStr |
New insights for creative art processes. Collaboration and experimentation with contemporary artists |
title_full_unstemmed |
New insights for creative art processes. Collaboration and experimentation with contemporary artists |
title_sort |
new insights for creative art processes. collaboration and experimentation with contemporary artists |
publisher |
Grupo Español del IIC |
series |
Ge-conservación |
issn |
1989-8568 |
publishDate |
2017-07-01 |
description |
The artists’ idea of exploration in new creative fields frequently triggers the collaboration between artists and other professionals. Understanding the experimentation which comes from it is the art restorers and specialists’ main duty, as they are forced to establish new standards and increase their knowledge on the use of new materials. Consequently, the communication between artists and restorers is frequent nowadays in the form of interviews but also with practical collaborations. This paper tries to show how productive collaborations can be for artists during the creative process in terms of production and possibilities, and for restorers, because this would be the best way to learn about the art concept and its materiality, which will be helpful for the artwork’s future conservation. |
topic |
conservation conservation material experimentation creative process collaboration contemporary artists |
url |
https://ge-iic.com/ojs/index.php/revista/article/view/502/788 |
work_keys_str_mv |
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