Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces

This paper discusses the soundscape assessment approaches to soundscape interventions with musical features introduced to public spaces as permanent sound art, with a focus on the ISO 12913 series, Method A for data collection applied in a laboratory study. Three soundscape interventions in three ci...

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Main Authors: Tin Oberman, Kristian Jambrošić, Marko Horvat, Bojana Bojanić Obad Šćitaroci
Format: Article
Language:English
Published: MDPI AG 2020-03-01
Series:Applied Sciences
Subjects:
Online Access:https://www.mdpi.com/2076-3417/10/6/2102
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spelling doaj-bcc0d562f72c40b7a502b00545b301af2020-11-25T01:53:43ZengMDPI AGApplied Sciences2076-34172020-03-01106210210.3390/app10062102app10062102Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public SpacesTin Oberman0Kristian Jambrošić1Marko Horvat2Bojana Bojanić Obad Šćitaroci3Faculty of Architecture, University of Zagreb, Kačićeva 26, 10000 Zagreb, CroatiaFaculty of Electrical Engineering and Computing, University of Zagreb, Unska 3, 10000 Zagreb, CroatiaFaculty of Electrical Engineering and Computing, University of Zagreb, Unska 3, 10000 Zagreb, CroatiaFaculty of Architecture, University of Zagreb, Kačićeva 26, 10000 Zagreb, CroatiaThis paper discusses the soundscape assessment approaches to soundscape interventions with musical features introduced to public spaces as permanent sound art, with a focus on the ISO 12913 series, Method A for data collection applied in a laboratory study. Three soundscape interventions in three cities are investigated. The virtual soundwalk is used to combine the benefits of the on-site and laboratory settings. Two measurement points per location were recorded—one at a position where the intervention was clearly perceptible, the other further away to serve as a baseline condition. The participants (N = 44) were exposed to acoustic environments (N = 6) recorded using the first-order Ambisonics microphone on-site and then reproduced via the second-order Ambisonics system in laboratory. A series of rank-based Kruskal−Wallis tests were performed on the results of the subjective responses. Results revealed a statistically significant positive effect on soundscape at two locations, and limitations related to sound source identification due to cultural factors and geometrical configuration of the public space at one location.https://www.mdpi.com/2076-3417/10/6/2102soundscapeurban open spacesoundscape interventionambisonicssoundwalk
collection DOAJ
language English
format Article
sources DOAJ
author Tin Oberman
Kristian Jambrošić
Marko Horvat
Bojana Bojanić Obad Šćitaroci
spellingShingle Tin Oberman
Kristian Jambrošić
Marko Horvat
Bojana Bojanić Obad Šćitaroci
Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
Applied Sciences
soundscape
urban open space
soundscape intervention
ambisonics
soundwalk
author_facet Tin Oberman
Kristian Jambrošić
Marko Horvat
Bojana Bojanić Obad Šćitaroci
author_sort Tin Oberman
title Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
title_short Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
title_full Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
title_fullStr Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
title_full_unstemmed Using Virtual Soundwalk Approach for Assessing Sound Art Soundscape Interventions in Public Spaces
title_sort using virtual soundwalk approach for assessing sound art soundscape interventions in public spaces
publisher MDPI AG
series Applied Sciences
issn 2076-3417
publishDate 2020-03-01
description This paper discusses the soundscape assessment approaches to soundscape interventions with musical features introduced to public spaces as permanent sound art, with a focus on the ISO 12913 series, Method A for data collection applied in a laboratory study. Three soundscape interventions in three cities are investigated. The virtual soundwalk is used to combine the benefits of the on-site and laboratory settings. Two measurement points per location were recorded—one at a position where the intervention was clearly perceptible, the other further away to serve as a baseline condition. The participants (N = 44) were exposed to acoustic environments (N = 6) recorded using the first-order Ambisonics microphone on-site and then reproduced via the second-order Ambisonics system in laboratory. A series of rank-based Kruskal−Wallis tests were performed on the results of the subjective responses. Results revealed a statistically significant positive effect on soundscape at two locations, and limitations related to sound source identification due to cultural factors and geometrical configuration of the public space at one location.
topic soundscape
urban open space
soundscape intervention
ambisonics
soundwalk
url https://www.mdpi.com/2076-3417/10/6/2102
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