Postcards and tourist postcards: «Spain is different»

<p>The basis of Joan Rabascall’s work are printed texts and images found in published media. His work, which circles ethnographic studies, focuses on tourist publications, and manily on postcards. The «Marca España» during the Franco era is a fundamental line in the work of Rabascal. Following...

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Main Author: Joan Rabascall
Format: Article
Language:English
Published: SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada 2019-06-01
Series:SOBRE. Prácticas artísticas y políticas de la edición
Subjects:
Online Access:https://revistaseug.ugr.es/index.php/sobre/article/view/9563
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spelling doaj-bdb165ebae48467c8e8ce6df26d0d9862020-11-25T03:29:35ZengSOBRE LAB. Facultad de Bellas Artes. Universidad de GranadaSOBRE. Prácticas artísticas y políticas de la edición2387-17332444-34842019-06-015011313210.30827/sobre.v5i0.95637047Postcards and tourist postcards: «Spain is different»Joan Rabascall<p>The basis of Joan Rabascall’s work are printed texts and images found in published media. His work, which circles ethnographic studies, focuses on tourist publications, and manily on postcards. The «Marca España» during the Franco era is a fundamental line in the work of Rabascal. Following this line, Rabascall has written for SOBRE_N5 a historical, linear essay about the postal card and its link with social, artistic movements and, naturally, with tourism during Spain in the 70s and 80s. This is a story made up of images and text that place us within a social context where the postcard is a main part, since it contributes to its creation: it diffuses the imaginary of «the Spanish», while reflecting the rancidity of the images of the tourism in Spain after the 70s. The selected images come from the artist’s collection and make up a frieze and a frame to fit the text, creating both, an artist’s work.</p>https://revistaseug.ugr.es/index.php/sobre/article/view/9563postalespañafranquismoturismoplayafotomontajearte
collection DOAJ
language English
format Article
sources DOAJ
author Joan Rabascall
spellingShingle Joan Rabascall
Postcards and tourist postcards: «Spain is different»
SOBRE. Prácticas artísticas y políticas de la edición
postal
españa
franquismo
turismo
playa
fotomontaje
arte
author_facet Joan Rabascall
author_sort Joan Rabascall
title Postcards and tourist postcards: «Spain is different»
title_short Postcards and tourist postcards: «Spain is different»
title_full Postcards and tourist postcards: «Spain is different»
title_fullStr Postcards and tourist postcards: «Spain is different»
title_full_unstemmed Postcards and tourist postcards: «Spain is different»
title_sort postcards and tourist postcards: «spain is different»
publisher SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada
series SOBRE. Prácticas artísticas y políticas de la edición
issn 2387-1733
2444-3484
publishDate 2019-06-01
description <p>The basis of Joan Rabascall’s work are printed texts and images found in published media. His work, which circles ethnographic studies, focuses on tourist publications, and manily on postcards. The «Marca España» during the Franco era is a fundamental line in the work of Rabascal. Following this line, Rabascall has written for SOBRE_N5 a historical, linear essay about the postal card and its link with social, artistic movements and, naturally, with tourism during Spain in the 70s and 80s. This is a story made up of images and text that place us within a social context where the postcard is a main part, since it contributes to its creation: it diffuses the imaginary of «the Spanish», while reflecting the rancidity of the images of the tourism in Spain after the 70s. The selected images come from the artist’s collection and make up a frieze and a frame to fit the text, creating both, an artist’s work.</p>
topic postal
españa
franquismo
turismo
playa
fotomontaje
arte
url https://revistaseug.ugr.es/index.php/sobre/article/view/9563
work_keys_str_mv AT joanrabascall postcardsandtouristpostcardsspainisdifferent
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