Postcards and tourist postcards: «Spain is different»
<p>The basis of Joan Rabascall’s work are printed texts and images found in published media. His work, which circles ethnographic studies, focuses on tourist publications, and manily on postcards. The «Marca España» during the Franco era is a fundamental line in the work of Rabascal. Following...
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SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada
2019-06-01
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Online Access: | https://revistaseug.ugr.es/index.php/sobre/article/view/9563 |
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doaj-bdb165ebae48467c8e8ce6df26d0d9862020-11-25T03:29:35ZengSOBRE LAB. Facultad de Bellas Artes. Universidad de GranadaSOBRE. Prácticas artísticas y políticas de la edición2387-17332444-34842019-06-015011313210.30827/sobre.v5i0.95637047Postcards and tourist postcards: «Spain is different»Joan Rabascall<p>The basis of Joan Rabascall’s work are printed texts and images found in published media. His work, which circles ethnographic studies, focuses on tourist publications, and manily on postcards. The «Marca España» during the Franco era is a fundamental line in the work of Rabascal. Following this line, Rabascall has written for SOBRE_N5 a historical, linear essay about the postal card and its link with social, artistic movements and, naturally, with tourism during Spain in the 70s and 80s. This is a story made up of images and text that place us within a social context where the postcard is a main part, since it contributes to its creation: it diffuses the imaginary of «the Spanish», while reflecting the rancidity of the images of the tourism in Spain after the 70s. The selected images come from the artist’s collection and make up a frieze and a frame to fit the text, creating both, an artist’s work.</p>https://revistaseug.ugr.es/index.php/sobre/article/view/9563postalespañafranquismoturismoplayafotomontajearte |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Joan Rabascall |
spellingShingle |
Joan Rabascall Postcards and tourist postcards: «Spain is different» SOBRE. Prácticas artísticas y políticas de la edición postal españa franquismo turismo playa fotomontaje arte |
author_facet |
Joan Rabascall |
author_sort |
Joan Rabascall |
title |
Postcards and tourist postcards: «Spain is different» |
title_short |
Postcards and tourist postcards: «Spain is different» |
title_full |
Postcards and tourist postcards: «Spain is different» |
title_fullStr |
Postcards and tourist postcards: «Spain is different» |
title_full_unstemmed |
Postcards and tourist postcards: «Spain is different» |
title_sort |
postcards and tourist postcards: «spain is different» |
publisher |
SOBRE LAB. Facultad de Bellas Artes. Universidad de Granada |
series |
SOBRE. Prácticas artísticas y políticas de la edición |
issn |
2387-1733 2444-3484 |
publishDate |
2019-06-01 |
description |
<p>The basis of Joan Rabascall’s work are printed texts and images found in published media. His work, which circles ethnographic studies, focuses on tourist publications, and manily on postcards. The «Marca España» during the Franco era is a fundamental line in the work of Rabascal. Following this line, Rabascall has written for SOBRE_N5 a historical, linear essay about the postal card and its link with social, artistic movements and, naturally, with tourism during Spain in the 70s and 80s. This is a story made up of images and text that place us within a social context where the postcard is a main part, since it contributes to its creation: it diffuses the imaginary of «the Spanish», while reflecting the rancidity of the images of the tourism in Spain after the 70s. The selected images come from the artist’s collection and make up a frieze and a frame to fit the text, creating both, an artist’s work.</p> |
topic |
postal españa franquismo turismo playa fotomontaje arte |
url |
https://revistaseug.ugr.es/index.php/sobre/article/view/9563 |
work_keys_str_mv |
AT joanrabascall postcardsandtouristpostcardsspainisdifferent |
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