The cinematographic cut in Ana Cristina Cesar
This article analyzis the cut procedures that we find in some poems of the Brazilian Ana Cristina Cesar (1952-1983). Author of an extremely fragmentary poetry, Ana C. constructed her workmanship very close to the artistic vanguards of the XX century, including the most experimental cinema. Our objec...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | Portuguese |
| Published: |
Universidade Federal Fluminense
2009-12-01
|
| Series: | Gragoatá |
| Subjects: | |
| Online Access: | http://www.gragoata.uff.br/index.php/gragoata/article/view/206 |
| Summary: | This article analyzis the cut procedures that we find in some poems of the Brazilian Ana Cristina Cesar (1952-1983). Author of an extremely fragmentary poetry, Ana C. constructed her workmanship very close to the artistic vanguards of the XX century, including the most experimental cinema. Our objective is to observe how the poet constructs the fragmentation in her poetry, keeping, at the same time, a singular fluency between the fragments; fluency that would not be narrative, but that approaches her poems to a certain cinematographic way of composition and experience. |
|---|---|
| ISSN: | 1413-9073 2358-4114 |