City Under Siege: Narrating Mumbai Through NonStop Capture

When Mumbai became the target of terror in the 26/11 attack in 2008, the events in that city, like other tragic global events in recent years, were narrated through new media platforms. The increasing convergence of technologies and mobile telephony enabled new forms of gaze and the ability to bear...

Full description

Bibliographic Details
Main Author: Yasmin Ibrahim
Format: Article
Language:English
Published: Linköping University Electronic Press 2009-12-01
Series:Culture Unbound: Journal of Current Cultural Research
Subjects:
Online Access:https://cultureunbound.ep.liu.se/article/view/1905
id doaj-bf6074d25083423a855303296372a812
record_format Article
spelling doaj-bf6074d25083423a855303296372a8122020-11-25T04:05:25ZengLinköping University Electronic PressCulture Unbound: Journal of Current Cultural Research2000-15252009-12-011210.3384/cu.2000.1525.09123385City Under Siege: Narrating Mumbai Through NonStop CaptureYasmin Ibrahim0International Business and Communications at Queen Mary, University of London, UK When Mumbai became the target of terror in the 26/11 attack in 2008, the events in that city, like other tragic global events in recent years, were narrated through new media platforms. The increasing convergence of technologies and mobile telephony enabled new forms of gaze and the ability to bear witness through these new media technologies. The non-stop capture of events through recording equipment embedded in mobile phones and their connectivity to the World Wide Web constructed Mumbai through civilian narratives and images, and this phenomenon was described as the “coming of age of Twitter”. Conversely the event raised fundamental questions about the role of broadcasting and protocols in live telecasts of terrorist attacks which have consequences for national security. In narrating the city through the civilian gaze and traditional media the spectacle of suffering in postmodernity becomes an open-ended exercise where the city is both a canvas for showcasing the risks of modernity and new forms of visibilities which emerge from social media and the “act of sharing” content on global platforms. https://cultureunbound.ep.liu.se/article/view/1905Social mediamodernityterrorismIndia
collection DOAJ
language English
format Article
sources DOAJ
author Yasmin Ibrahim
spellingShingle Yasmin Ibrahim
City Under Siege: Narrating Mumbai Through NonStop Capture
Culture Unbound: Journal of Current Cultural Research
Social media
modernity
terrorism
India
author_facet Yasmin Ibrahim
author_sort Yasmin Ibrahim
title City Under Siege: Narrating Mumbai Through NonStop Capture
title_short City Under Siege: Narrating Mumbai Through NonStop Capture
title_full City Under Siege: Narrating Mumbai Through NonStop Capture
title_fullStr City Under Siege: Narrating Mumbai Through NonStop Capture
title_full_unstemmed City Under Siege: Narrating Mumbai Through NonStop Capture
title_sort city under siege: narrating mumbai through nonstop capture
publisher Linköping University Electronic Press
series Culture Unbound: Journal of Current Cultural Research
issn 2000-1525
publishDate 2009-12-01
description When Mumbai became the target of terror in the 26/11 attack in 2008, the events in that city, like other tragic global events in recent years, were narrated through new media platforms. The increasing convergence of technologies and mobile telephony enabled new forms of gaze and the ability to bear witness through these new media technologies. The non-stop capture of events through recording equipment embedded in mobile phones and their connectivity to the World Wide Web constructed Mumbai through civilian narratives and images, and this phenomenon was described as the “coming of age of Twitter”. Conversely the event raised fundamental questions about the role of broadcasting and protocols in live telecasts of terrorist attacks which have consequences for national security. In narrating the city through the civilian gaze and traditional media the spectacle of suffering in postmodernity becomes an open-ended exercise where the city is both a canvas for showcasing the risks of modernity and new forms of visibilities which emerge from social media and the “act of sharing” content on global platforms.
topic Social media
modernity
terrorism
India
url https://cultureunbound.ep.liu.se/article/view/1905
work_keys_str_mv AT yasminibrahim cityundersiegenarratingmumbaithroughnonstopcapture
_version_ 1724434092426002432