A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami art

Abstract Kinkarakawa-gami wallpapers are unique works of art produced in Japan between 1870 and 1905 and exported in European countries, although only few examples are nowadays present in Europe. So far, neither the wallpapers nor the composing materials have been characterised, limiting the effecti...

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Main Authors: Elena Piacenza, Alessandro Presentato, Francesca Di Salvo, Rosa Alduina, Vittorio Ferrara, Valeria Minore, Antonio Giannusa, Giuseppe Sancataldo, Delia Francesca Chillura Martino
Format: Article
Language:English
Published: Nature Publishing Group 2020-10-01
Series:Scientific Reports
Online Access:https://doi.org/10.1038/s41598-020-73226-6
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spelling doaj-bf7ce2ce7f974475a96fbea660548c432021-10-03T11:24:12ZengNature Publishing GroupScientific Reports2045-23222020-10-0110111310.1038/s41598-020-73226-6A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami artElena Piacenza0Alessandro Presentato1Francesca Di Salvo2Rosa Alduina3Vittorio Ferrara4Valeria Minore5Antonio Giannusa6Giuseppe Sancataldo7Delia Francesca Chillura Martino8National Interuniversity Consortium of Materials Science and Technology (INSTM), UdR of PalermoDepartment of Biological, Chemical and Pharmaceutical Sciences and Technologies (STEBICEF), University of PalermoDepartment of Agricultural, Food and Forest Sciences, University of PalermoDepartment of Biological, Chemical and Pharmaceutical Sciences and Technologies (STEBICEF), University of PalermoNational Interuniversity Consortium of Materials Science and Technology (INSTM), UdR of PalermoDepartment of Biological, Chemical and Pharmaceutical Sciences and Technologies (STEBICEF), University of PalermoVincenzo Ragusa and O’Tama Kiyohara Museum, Liceo Artistico Statale Vincenzo Ragusa e O’Tama KiyoharaDepartment of Physics and Chemistry (DIFC) Emilio Segrè, University of PalermoNational Interuniversity Consortium of Materials Science and Technology (INSTM), UdR of PalermoAbstract Kinkarakawa-gami wallpapers are unique works of art produced in Japan between 1870 and 1905 and exported in European countries, although only few examples are nowadays present in Europe. So far, neither the wallpapers nor the composing materials have been characterised, limiting the effective conservation–restoration of these artefacts accounting also for the potential deteriogen effects of microorganisms populating them. In the present study, four Kinkarakawa-gami wallpapers were analysed combining physical–chemical and microbiological approaches to obtain information regarding the artefacts’ manufacture, composition, dating, and their microbial community. The validity of these methodologies was verified through a fine in blind statistical analysis, which allowed to identify trends and similarities within these important artefacts. The evidence gathered indicated that these wallpapers were generated between 1885 and 1889, during the so-called industrial production period. A wide range of organic (proteinaceous binders, natural waxes, pigments, and vegetable lacquers) and inorganic (tin foil and pigments) substances were used for the artefacts’ manufacture, contributing to their overall complexity, which also reflects on the identification of a heterogeneous microbiota, often found in Eastern environmental matrices. Nevertheless, whether microorganisms inhabiting these wallpapers determined a detrimental or protective effect is not fully elucidated yet, thus constituting an aspect worth to be explored to deepen the knowledge needed for the conservation of Kinkarakawa-gami over time.https://doi.org/10.1038/s41598-020-73226-6
collection DOAJ
language English
format Article
sources DOAJ
author Elena Piacenza
Alessandro Presentato
Francesca Di Salvo
Rosa Alduina
Vittorio Ferrara
Valeria Minore
Antonio Giannusa
Giuseppe Sancataldo
Delia Francesca Chillura Martino
spellingShingle Elena Piacenza
Alessandro Presentato
Francesca Di Salvo
Rosa Alduina
Vittorio Ferrara
Valeria Minore
Antonio Giannusa
Giuseppe Sancataldo
Delia Francesca Chillura Martino
A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami art
Scientific Reports
author_facet Elena Piacenza
Alessandro Presentato
Francesca Di Salvo
Rosa Alduina
Vittorio Ferrara
Valeria Minore
Antonio Giannusa
Giuseppe Sancataldo
Delia Francesca Chillura Martino
author_sort Elena Piacenza
title A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami art
title_short A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami art
title_full A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami art
title_fullStr A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami art
title_full_unstemmed A combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the Kinkarakawa-gami art
title_sort combined physical–chemical and microbiological approach to unveil the fabrication, provenance, and state of conservation of the kinkarakawa-gami art
publisher Nature Publishing Group
series Scientific Reports
issn 2045-2322
publishDate 2020-10-01
description Abstract Kinkarakawa-gami wallpapers are unique works of art produced in Japan between 1870 and 1905 and exported in European countries, although only few examples are nowadays present in Europe. So far, neither the wallpapers nor the composing materials have been characterised, limiting the effective conservation–restoration of these artefacts accounting also for the potential deteriogen effects of microorganisms populating them. In the present study, four Kinkarakawa-gami wallpapers were analysed combining physical–chemical and microbiological approaches to obtain information regarding the artefacts’ manufacture, composition, dating, and their microbial community. The validity of these methodologies was verified through a fine in blind statistical analysis, which allowed to identify trends and similarities within these important artefacts. The evidence gathered indicated that these wallpapers were generated between 1885 and 1889, during the so-called industrial production period. A wide range of organic (proteinaceous binders, natural waxes, pigments, and vegetable lacquers) and inorganic (tin foil and pigments) substances were used for the artefacts’ manufacture, contributing to their overall complexity, which also reflects on the identification of a heterogeneous microbiota, often found in Eastern environmental matrices. Nevertheless, whether microorganisms inhabiting these wallpapers determined a detrimental or protective effect is not fully elucidated yet, thus constituting an aspect worth to be explored to deepen the knowledge needed for the conservation of Kinkarakawa-gami over time.
url https://doi.org/10.1038/s41598-020-73226-6
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