Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic

The paper elaborates on the Acquisition Fund for Contemporary Art established in 2017 in the Czech Republic by the Ministry of Culture. Paradoxically, this fund is perceived both positively and negatively by various institutions. On the positive side, from the year 2017 to 2019, the fund has allocat...

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Main Authors: Lucia Horňáková, Marek Prokůpek
Format: Article
Language:English
Published: Muzeológia a kultúrne dedičstvo, o.z. 2021-06-01
Series:Muzeológia a Kultúrne Dedičstvo
Subjects:
Online Access:https://muzeologia.sk/index_htm_files/mkd_2_21_hornakova.pdf
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spelling doaj-bfc4ddd23dd44998bca32c1a50f7877e2021-07-02T21:43:06ZengMuzeológia a kultúrne dedičstvo, o.z.Muzeológia a Kultúrne Dedičstvo1339-22042453-97592021-06-0192455910.46284/mkd.2021.9.2.3Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech RepublicLucia Horňáková0https://orcid.org/0000-0003-3734-7756Marek Prokůpek1https://orcid.org/0000-0003-4564-8962Prague University of Economics and BusinessPrague University of Economics and BusinessThe paper elaborates on the Acquisition Fund for Contemporary Art established in 2017 in the Czech Republic by the Ministry of Culture. Paradoxically, this fund is perceived both positively and negatively by various institutions. On the positive side, from the year 2017 to 2019, the fund has allocated 41,257,888 CZK (1,517,753 EUR) for the purchase of 287 artworks by 29 institutions. On the negative side, only 29 out of 218 eligible institutions have applied for support from the fund during the three years of the fund’s existence. This low application rate is attributed partly to the time consuming and complicated administration of the application for support, and partly to apprehension from some institutions regarding the likelihood of the actual realisation of the receipt of financial support. In turn, due to this low application rate, the institutions that have applied have had a high probability of receiving funding. The paper sheds new light on the lack of financing for acquisition in art institutions and opens the question of the effectiveness of the Acquisition Fund in the Czech Republic. https://muzeologia.sk/index_htm_files/mkd_2_21_hornakova.pdfacquisitionscontemporary artacquisition fundart museumart collecting
collection DOAJ
language English
format Article
sources DOAJ
author Lucia Horňáková
Marek Prokůpek
spellingShingle Lucia Horňáková
Marek Prokůpek
Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic
Muzeológia a Kultúrne Dedičstvo
acquisitions
contemporary art
acquisition fund
art museum
art collecting
author_facet Lucia Horňáková
Marek Prokůpek
author_sort Lucia Horňáková
title Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic
title_short Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic
title_full Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic
title_fullStr Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic
title_full_unstemmed Acquisition Fund: An unrecognised treasure within the cultural policy of the Czech Republic
title_sort acquisition fund: an unrecognised treasure within the cultural policy of the czech republic
publisher Muzeológia a kultúrne dedičstvo, o.z.
series Muzeológia a Kultúrne Dedičstvo
issn 1339-2204
2453-9759
publishDate 2021-06-01
description The paper elaborates on the Acquisition Fund for Contemporary Art established in 2017 in the Czech Republic by the Ministry of Culture. Paradoxically, this fund is perceived both positively and negatively by various institutions. On the positive side, from the year 2017 to 2019, the fund has allocated 41,257,888 CZK (1,517,753 EUR) for the purchase of 287 artworks by 29 institutions. On the negative side, only 29 out of 218 eligible institutions have applied for support from the fund during the three years of the fund’s existence. This low application rate is attributed partly to the time consuming and complicated administration of the application for support, and partly to apprehension from some institutions regarding the likelihood of the actual realisation of the receipt of financial support. In turn, due to this low application rate, the institutions that have applied have had a high probability of receiving funding. The paper sheds new light on the lack of financing for acquisition in art institutions and opens the question of the effectiveness of the Acquisition Fund in the Czech Republic.
topic acquisitions
contemporary art
acquisition fund
art museum
art collecting
url https://muzeologia.sk/index_htm_files/mkd_2_21_hornakova.pdf
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