The patterning of obsessive love in Lolita and Possessed

Repetitions, doubles, and mises en abyme are a constant in Nabokov’s work and Lolita is one of the best examples. One of those repetitions in time and space has to do with Humbert Humbert going back over the times when he was happy with the nymphet in 1947. He finds that in that year the film Posses...

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Main Author: Wilson Orozco
Format: Article
Language:English
Published: Université Toulouse - Jean Jaurès 2017-10-01
Series:Miranda: Revue Pluridisciplinaire du Monde Anglophone
Subjects:
Online Access:http://journals.openedition.org/miranda/11234
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spelling doaj-c05d215ccf0245119adcdf5e48f3dea12020-11-24T21:01:22ZengUniversité Toulouse - Jean JaurèsMiranda: Revue Pluridisciplinaire du Monde Anglophone2108-65592017-10-011510.4000/miranda.11234The patterning of obsessive love in Lolita and PossessedWilson OrozcoRepetitions, doubles, and mises en abyme are a constant in Nabokov’s work and Lolita is one of the best examples. One of those repetitions in time and space has to do with Humbert Humbert going back over the times when he was happy with the nymphet in 1947. He finds that in that year the film Possessed was premiered. If a comparison is made between that movie and the novel, both text and film seem to reflect each other. The main purpose of this article is to show that the film is a mise en abyme of the novel because both novel and film display the same pattern of obsessive love, which includes idealization, feelings of hostility, obsession with the disappearance of the beloved and a textual and filmic reconstitution by way of unreliable narrations through plenty of flashbacks and analepses.http://journals.openedition.org/miranda/11234Lolitamise en abymePossessedpatterningcinema.
collection DOAJ
language English
format Article
sources DOAJ
author Wilson Orozco
spellingShingle Wilson Orozco
The patterning of obsessive love in Lolita and Possessed
Miranda: Revue Pluridisciplinaire du Monde Anglophone
Lolita
mise en abyme
Possessed
patterning
cinema.
author_facet Wilson Orozco
author_sort Wilson Orozco
title The patterning of obsessive love in Lolita and Possessed
title_short The patterning of obsessive love in Lolita and Possessed
title_full The patterning of obsessive love in Lolita and Possessed
title_fullStr The patterning of obsessive love in Lolita and Possessed
title_full_unstemmed The patterning of obsessive love in Lolita and Possessed
title_sort patterning of obsessive love in lolita and possessed
publisher Université Toulouse - Jean Jaurès
series Miranda: Revue Pluridisciplinaire du Monde Anglophone
issn 2108-6559
publishDate 2017-10-01
description Repetitions, doubles, and mises en abyme are a constant in Nabokov’s work and Lolita is one of the best examples. One of those repetitions in time and space has to do with Humbert Humbert going back over the times when he was happy with the nymphet in 1947. He finds that in that year the film Possessed was premiered. If a comparison is made between that movie and the novel, both text and film seem to reflect each other. The main purpose of this article is to show that the film is a mise en abyme of the novel because both novel and film display the same pattern of obsessive love, which includes idealization, feelings of hostility, obsession with the disappearance of the beloved and a textual and filmic reconstitution by way of unreliable narrations through plenty of flashbacks and analepses.
topic Lolita
mise en abyme
Possessed
patterning
cinema.
url http://journals.openedition.org/miranda/11234
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