| Summary: | This essay reads Diamela Eltit’s E. Luminata as form of auto-performative ‘anti-manual’ which employs a range of autobiographical forms and functions in protest of codes of womanhood published in an actual manual of women’s con-duct authored by Augusto Pinochet’s First Lady and enforced by his regime’s National Secretariat of Women which organized forms of auto-surveillance by which women policed themselves and one another. It argues that if the NSW functioned as a mechanism for the surveillance and discipline of women in Pi-nochet’s police state, Eltit’s text functions as a subversive auto-performance of Chilean womanhood offered in protest against the state censorship of women’s autobiography. The reading demonstrates the ways in which E. Luminata stra-tegically performs Eltit’s own public self-representation of womanhood which, although meant to be impossible, is not unattainable in the regime.
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