THE PIANO TRIO BY M. FISHMAN AS A SOUND DOCUMENT OF ITS ERA
The present article written by Irina Pleşcan is dedicated to the musicological and interpretation study of the Piano trio written by Max Fishman. The author analyses the style and genre particularities of this opus, revealing the influence of Russian music at the turn of the 19th – 20th centuries, t...
Main Author: | |
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Format: | Article |
Language: | deu |
Published: |
Notograf Prim
2015-06-01
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Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
Subjects: | |
Online Access: | http://revista.amtap.md/wp-content/files_mf/15106589749iplescan_FortepiannoetrioM.Fishmanakakzvukovoydokumentepohi.pdf |
Summary: | The present article written by Irina Pleşcan is dedicated to the musicological and interpretation study of the Piano trio written by Max Fishman. The author analyses the style and genre particularities of this opus, revealing the influence of Russian music at the turn of the 19th – 20th centuries, the interaction of the classical and romantic principles on the structural level. |
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ISSN: | 2345-1408 2345-1831 |