Corpos que acontecem na fronteira
Palestine is a symbol of exile. In a way, all Palestinians live in a state of literal or metaphorical exile. For this reason, it is impossible to analyze Palestinian women’s cinema without locating these women in their (non)place: exile. In this article I discuss films of women screenwriter-director...
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Centro de Estudos Sociais da Universidade de Coimbra
2014-12-01
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Online Access: | http://journals.openedition.org/eces/1836 |
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doaj-c3ec32a06cde45078fc1a8ba7321b9cb2020-11-25T01:21:34ZengCentro de Estudos Sociais da Universidade de Coimbrae-cadernos ces1647-07372014-12-012210.4000/eces.1836Corpos que acontecem na fronteiraShahd WadiPalestine is a symbol of exile. In a way, all Palestinians live in a state of literal or metaphorical exile. For this reason, it is impossible to analyze Palestinian women’s cinema without locating these women in their (non)place: exile. In this article I discuss films of women screenwriter-directors who live outside Palestine: Salt of This (2008), by Annemarie Jacir, and Amreeka (2009), by Cherien Dabis. I question how both protagonists and simultaneously how both screenwriters-directors, try to (un)define the notion of home, exile, and border. I ask whether these women managed to find a place of their own through their bodies in film.http://journals.openedition.org/eces/1836bodyexilebordercinemaPalestine |
collection |
DOAJ |
language |
English |
format |
Article |
sources |
DOAJ |
author |
Shahd Wadi |
spellingShingle |
Shahd Wadi Corpos que acontecem na fronteira e-cadernos ces body exile border cinema Palestine |
author_facet |
Shahd Wadi |
author_sort |
Shahd Wadi |
title |
Corpos que acontecem na fronteira |
title_short |
Corpos que acontecem na fronteira |
title_full |
Corpos que acontecem na fronteira |
title_fullStr |
Corpos que acontecem na fronteira |
title_full_unstemmed |
Corpos que acontecem na fronteira |
title_sort |
corpos que acontecem na fronteira |
publisher |
Centro de Estudos Sociais da Universidade de Coimbra |
series |
e-cadernos ces |
issn |
1647-0737 |
publishDate |
2014-12-01 |
description |
Palestine is a symbol of exile. In a way, all Palestinians live in a state of literal or metaphorical exile. For this reason, it is impossible to analyze Palestinian women’s cinema without locating these women in their (non)place: exile. In this article I discuss films of women screenwriter-directors who live outside Palestine: Salt of This (2008), by Annemarie Jacir, and Amreeka (2009), by Cherien Dabis. I question how both protagonists and simultaneously how both screenwriters-directors, try to (un)define the notion of home, exile, and border. I ask whether these women managed to find a place of their own through their bodies in film. |
topic |
body exile border cinema Palestine |
url |
http://journals.openedition.org/eces/1836 |
work_keys_str_mv |
AT shahdwadi corposqueacontecemnafronteira |
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1725129459641614336 |